One prays that this genius will write the great novel he has in him, something like A Death in the Family or The Violent...
After last year’s Odd Thomas, well-shaped but less than gripping, the amazing Koontz hits some brilliantly stylish pages, but just some, those among his best since 1995’s Intensity.
A winner, yes, many will think, especially after its superb opening that will keep many deeply riveted for the distance. But as one bloody horror piles onto another, others might ask: Do I really want to read this? At which point finishing the last half becomes a slog through strongly chiseled details, all the more disheartening because so well done. Molly and Neil live high up on California’s San Bernardino Mountains near the town of Black Lake. She’s 28, has published four well-received novels that went nowhere. Her mother wrote even better novels but died of cancer at 30. Neil is a lapsed priest turned first-rate cabinetmaker. One night a thunderous Niagara of rain hits their roof, rain so heavy that it drives coyotes onto their porch. This is a supernatural rain, luminous, scented with varied fragrances, including semen. On TV they see dozens of gigantic waterspouts forming on every ocean, global cities collapsing. Strange black figures dart about the landscape. Power fails. Radio is poor, darkness visible. Molly feels something colossal flying above the rain clouds, and it doesn’t take long for them to accept that ETs are wiping out humankind. They go to Black Lake to join neighbors in fighting off the ETs, but they’re overwhelming—and ghastly in their killing. For once, Koontz needn’t introduce a serial killer or child murderer into his narrative—but does anyway, in Molly’s father. In any case, the second half groans with messy killings as Molly and Neil save children. Molly’s face-to-face with the first ET is delayed until the last few pages. By then, all interest has faded.
One prays that this genius will write the great novel he has in him, something like A Death in the Family or The Violent Bear It Away.Pub Date: May 25, 2004
ISBN: 0-553-80250-X
Page Count: 352
Publisher: Bantam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2004
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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