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ORDEAL

A supermom with a fearsome past must relive it or lose all she holds dear—in a moody, symbol-ridden melodrama (and first hardcover) from Mills. At 34, Wren Cameron, a science teacher in a suburban San Antonio school, is happily married with two children. Although seemingly without a problem worse than a rebellious 15-year-old son, Daniel, her picture-perfect life is shattered by the unexpected reappearance of Jeremiah Hunter, the charismatic militia chieftain who had lured her from SMU 16 years earlier. Then known as Elizabeth (Lissie) Montgomery, Wren escaped her Svengali when the FBI mounted a bloody raid on his encampment in Louisiana. Older and wiser (though still a federal fugitive herself), Wren refuses the magnetic parolee's invitation to rejoin his movement. In short order, Hunter kidnaps Wren and Daniel, transporting them to a remote base in the west Texas wilderness, where he and his so- called Armageddon Army prepare violent strikes against government and society. Self-indulgence apart, the cult's leader wants Wren (and her explosives expertise) for an assault on Buck Leatherwood, a wealthy industrialist and vocal advocate of stricter gun-control laws. After one harrowing failure to break away, Wren (disturbed by the realization that Daniel is beginning to respect his macho abductor) draws spiritual strength from her Cherokee heritage and ostensibly submits to Hunter's will. But she sabotages the bombs meant to kill Leatherwood in his Midland office, and a concurrent bank robbery goes wrong as well. With Daniel as hostage, Hunter flees the scene in cowardly haste, and only Wren knows where they might be holed up. Before she can return her son to the family he now prizes, Wren must play the role of an avenging angel. A Texas tall-tale complete with trendy exemplars, including a gutsy heroine who sets great store by animist vision quests, which adds an arresting new dimension to the concept of mother love.

Pub Date: May 19, 1997

ISBN: 0-525-94202-5

Page Count: 448

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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