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MY NEW BIG-KID BED

A big-time missed opportunity.

Fears of a new bed can be complicated when a dinosaur’s added to the mix.

The light-skinned child narrator at the heart of this rhyming text is thrilled to pieces by a new big-kid bed with a dino-shaped headboard, received as a birthday present. Eager and excited to use it, at last the child is tucked in nice and snug. But what’s this? The moonlight casts a scary dino shadow on the wall, and suddenly this bed is the last place the tot wants to be. Trying to bunk with Rover, Grandma, and then Mom and Dad doesn’t help—it’s impossible to get to sleep. All ends happily when the kid finally returns to bed to find that the moon has gone away, taking the shadow with it. What precise fears are meant to be allayed here is unclear. While many kids can identify with the nervousness of transferring to a “big-kid bed” (falling out, getting lost in it, the height, etc.), few will be facing the additional phobia of dinosaur-headboard shadows. Why compound fears of bedtime unnecessarily? Additionally, since the moon’s movements erase the problem independently, the protagonist doesn’t even psychologically work through the fear. To accompany the jaunty rhymes, Morley’s upbeat art aims for jolly rather than scary. The endpapers hint that the child’s shadow possibly cavorts with the dinosaur’s, though this remains unclear.

A big-time missed opportunity. (Picture book. 2-5)

Pub Date: Sept. 26, 2017

ISBN: 978-1-101-93731-0

Page Count: 32

Publisher: Random House

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: July 1, 2017

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I AM A BIG BROTHER

A good choice for caregivers looking for a positive, uncomplicated introduction to a new baby that focuses on everything an...

A little boy exults in his new role as big brother.

Rhyming text describes the arrival of a new baby and all of the big brother’s rewarding new duties. He gets to help with feedings, diaper changes, playtime, bathtime, and naptime. Though the rhyming couplets can sometimes feel a bit forced and awkward, the sentiment is sweet, as the focus here never veers from the excitement and love a little boy feels for his tiny new sibling. The charming, uncluttered illustrations convincingly depict the growing bond between this fair-skinned, rosy-cheeked, smiling pair of boys. In the final pages, the parents, heretofore kept mostly out of view, are pictured holding the children. The accompanying text reads: “Mommy, Daddy, baby, me. / We love each other—a family!” In companion volume I Am a Big Sister, the little boy is replaced with a little girl with bows in her hair. Some of the colors and patterns in the illustrations are slightly altered, but it is essentially the same title.

A good choice for caregivers looking for a positive, uncomplicated introduction to a new baby that focuses on everything an older sibling can do to help. (Board book. 2-4)

Pub Date: Jan. 27, 2015

ISBN: 978-0-545-68886-4

Page Count: 24

Publisher: Cartwheel/Scholastic

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: July 1, 2015

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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