An enjoyable romantic drama that keeps readers guessing.
This romantic-suspense novel brings together a man who’s a trouble magnet with a woman who’s determined to prove his innocence.
In his mid-20s, Nick Allen is bad news, or at least that’s what people have said since his girlfriend, Sienna Brown, blew up in a car explosion. She was driving Nick’s Mustang, but her family blames Nick for neglecting to maintain the car, which he bought from the Browns’ dealership. Al Thomas, owner of the San Antonio, Texas, coffee shop/bookstore where they all used to work, says “The best thing for Nick would be to leave town”—though self-interest plays a role; Nick is opening a rival place just as Al is retiring with plans to leave the enterprise to his son, Blaine, a cocky 24-year-old. Quinn Corbin and her BFF Tory Taylor, both 24, think Nick is innocent—and “delicious.” The summer before Quinn starts teaching second grade and Tory returns to law school in Austin, Quinn begins exploring a relationship with Nick while Tory does some legal work for Al, somewhat uncomfortably given his anger over Nick’s coffee shop. After a tragedy that Nick is again blamed for, Tory vows to clear Nick’s name. Through twists and turns full of danger, surprise, and drama, more than one truth emerges. Lum (The Doctor, the Chef or the Fireman, 2017, etc.) writes a fast-paced novel full of emotional highs and lows. At times, the melodrama is overstated; for example, simply catching sight of her reflection in Nick’s sunglasses is “crazy strange” to Quinn. In general, though, Lum nicely captures the big feelings of young people getting started in life, like when Quinn’s excited about buying school supplies for her first time teaching solo. Some elements are too familiar, like the sassy gay best friend (“Honey, you know I moved to San Antonio for the street tacos and brown men”) or a contrived reason for jealousy (it’s just a big misunderstanding, naturally), but Lum keeps the plot suspenseful with alternating present-tense narrators, effective red herrings, and unexpected revelations.
An enjoyable romantic drama that keeps readers guessing.Pub Date: April 7, 2018
ISBN: 978-1-944463-12-0
Page Count: 362
Publisher: DKLit LLC
Review Posted Online: April 13, 2018
Kirkus Reviews Issue: June 1, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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