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NOW MAY YOU WEEP

The atmosphere is rich and peaty, but the pace is glacial—nearly another century passes before the plot begins to...

Detective Inspector Gemma James (And Justice There Is None, 2002, etc.) is cast in some unaccustomed roles—dupe and murder suspect—when she goes to Scotland for a cooking class.

Gemma doesn’t know what’s really cooking. Her friend and former landlady, psychologist Hazel Cavendish, is less interested in picking up culinary expertise from chef John Innes than in rekindling her ancient romance with local distiller Donald Brodie. Not even Hazel knows that Donald’s also being pursued by shopgirl Alison Grant, who’s pursued in turn (in a neat completion of Crombie’s social stratification) by stable owner Callum MacGillivray. The situation is obviously explosive, and when John is killed, the only surprise is that it took so long. As the suspects stand around pointing their fingers at each other—at one point somebody suggests they must all be in it together—DCI Alun Ross gets pointedly interested in Hazel, and even in Hazel’s husband Tim, who seemed to be safely tucked away back in London. Meanwhile, Gemma’s lover and housemate, Supt. Duncan Kincaid, is threatened with the loss of his late wife’s son in a custody suit. For good measure, there’s also a series of flashbacks to a pivotal episode in the distillery’s history a hundred years ago.

The atmosphere is rich and peaty, but the pace is glacial—nearly another century passes before the plot begins to thicken—and neither Gemma nor Kincaid shines as a detective this time.

Pub Date: Oct. 7, 2003

ISBN: 0-06-052523-1

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2003

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A KILLER EDITION

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Too much free time leads a New Hampshire bookseller into yet another case of murder.

Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Pub Date: Aug. 13, 2019

ISBN: 978-1-9848-0272-9

Page Count: 320

Publisher: Berkley

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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MURDER ON THE ORIENT EXPRESS

A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.

  **Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach.  Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express.  This is the only name now known for the book.  The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.

 

Pub Date: Feb. 28, 1934

ISBN: 978-0062073495

Page Count: -

Publisher: Dodd, Mead

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Feb. 1, 1934

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