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EQUALITY'S CALL

THE STORY OF VOTING RIGHTS IN AMERICA

A solid work of visual storytelling.

A poetic narrative charts the history of voting rights in the United States from the founders to the present, emphasizing that “A right isn’t right / Till it’s granted to all.”

A black woman at a blackboard instructs a class (and readers) in an inclusive “we” as the voices of democracy swell to affirm the expansion of voting rights. Diesen (in a dramatic departure from her Pout-Pout Fish series) and Mora effectively employ the drama of the turning page as, on each spread when the refrain is resounded, the number of people marching grows from two black women and a black man to a host of the historically disenfranchised. The final refrain is a crescendo, complemented by a double-page spread depicting a crowded, diverse line of marchers. As they march from left to right into the page turn, readers are reminded that “The journey’s not over / The work hasn’t ended / Democracy’s dream / Must be constantly tended.” The pages act as a timeline, and several illustrations depict historical figures, including Sojourner Truth, Abraham Lincoln, and John Lewis. (A backmatter key helps identify the many activists represented.) As an introduction, the volume focuses on the progress and not the obstacles, but caregivers can supplement the history, using the extensive backmatter addressed to them: information on related constitutional amendments and relevant legislation and a two-page list of voting rights activists.

A solid work of visual storytelling. (Informational picture book. 5-9)

Pub Date: Feb. 18, 2020

ISBN: 978-1-5344-3958-0

Page Count: 48

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A WORLD TOGETHER

Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants.

Large color photographs (occasionally composed of montages) and accessible, simple text highlight global similarities and differences, always focusing on our universal connections.

While child readers may not recognize Manzano, the Puerto Rican actress who played Maria on Sesame Street, adults will recognize her as a trusted diverse voice. In her endnote, she explains her desire to “encourage lively conversations about shared experiences.” Starting out with the familiar, home and community, the text begins with “How many WONDERFUL PEOPLE do you know?” Then it moves out to the world: “Did you know there are about 8 BILLION PEOPLE on the planet?” The photo essay features the usual concrete similarities and differences found in many books of this type, such as housing (a Mongolian yurt opposite a Hong Kong apartment building overlooking a basketball court), food (dumplings, pizza, cotton candy, a churro, etc.), and school. Manzano also makes sure to point out likenesses in emotions, as shown in a montage of photos from countries including China, Spain, Kashmir (Pakistan/India), and the United States. At the end, a world map and thumbnail images show the locations of all photos, revealing a preponderance of examples from the U.S. and a slight underrepresentation for Africa and South America.

Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants. (Informational picture book. 5-8)

Pub Date: Sept. 15, 2020

ISBN: 978-1-4263-3738-3

Page Count: 32

Publisher: National Geographic Kids

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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BEFORE SHE WAS HARRIET

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...

A memorable, lyrical reverse-chronological walk through the life of an American icon.

In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)

Pub Date: Nov. 7, 2017

ISBN: 978-0-8234-2047-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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