A mother's emotion-laden account of how tough it is to have a brain-damaged infant who won't die. In May 1989, after a normal pregnancy but a difficult labor and emergency Caesarian section, the author gave birth in a New York City hospital to a daughter whose brain had been damaged by oxygen deprivation. Initially, Alecson, a poet and introspective journal keeper, and her husband, Lowell, had hopes that the damage to Andrea was minor and temporary, but they soon learned otherwise. Once they understood that her comatose condition was irreversible, they asked her doctors (given pseudonyms here) to withhold nutrition and thus end her life. The ethics committee at the hospital (its members are not identified) refused. Alecson stopped visiting Andrea and began thinking of ways to end the infant's life. As she wrote in a poem to Andrea, ``Now all I want is your corporeal death.'' After two months in the neonatal intensive care unit, Andrea did die. As Alecson puts it, this event freed her parents to get on with their lives. The child's survival, she says, would have destroyed her. There are brief sections in which she explores the right-to-die literature, the effect of Baby Doe regulations on hospitals and doctors, and the limitations on the rights of parents to make decisions about the future of their handicapped infants, but the core of this story is Alecson's own suffering. The sympathy that one would expect to feel for a mother in such a situation is reduced by Alecson's intense focus on ``getting in touch with'' her feelings — frustration, anger, self-pity. Her myriad accounts of emotional crises and breakdowns become wearisome, arousing sympathy instead for her beleaguered husband with his double burden of care. The Me generation faces life and death.
Pub Date: March 1, 1995
ISBN: 0-520-08870-0
Page Count: 224
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1995
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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