An important and inspiring tale well told.

CARTER READS THE NEWSPAPER

This biography of the “father of Black History,” Dr. Carter G. Woodson, highlights experiences that shaped his passion.

Carter was born after the Civil War, but his parents had been slaves, and he grew up hearing the stories of their lives. With six siblings, Carter experienced lean times as a boy. Carter’s father, who couldn’t read or write, had Carter read the newspaper aloud. As a teenager, Carter had to work to help his family. In the coal mines, he met Oliver Jones, a Civil War veteran who opened his small home to the other men as a reading room. There, Carter once again took on the role of reader, informing Oliver and his friends of what was in the paper—and then researching to tell them more. After three years in the mines, he moved home to continue his education, eventually earning a Ph.D. from Harvard, where a professor challenged him to prove that his people had a history. In 1926 he established Negro History Week, which later became Black History Month. Hopkinson skillfully shapes Carter’s childhood, family history, and formative experiences into a cohesive story. The soft curves and natural palette of Tate’s illustrations render potentially scary episodes manageable for young readers, and portraits of historical figures offer an opening to further discovery. The incorporation of newsprint into many page backgrounds artfully echoes the title, and the inclusion of notable figures from black history reinforces the theme (a key is in the backmatter).

An important and inspiring tale well told. (author’s note, illustrator’s note, resources, bibliography) (Picture book/biography. 6-10)

Pub Date: Feb. 1, 2019

ISBN: 978-1-56145-934-6

Page Count: 36

Publisher: Peachtree

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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A solid introduction to fascinating artists, some familiar, others less so.

WOMEN ARTISTS A TO Z

Contemporary and historical female artists are showcased for younger readers.

The artists’ names aren’t presented in A-to-Z order. The alphabetical arrangement actually identifies signature motifs (“D is for Dots” for Yayoi Kusama); preferred media (“I is for Ink” for Elizabeth Catlett); or cultural, natural, or personal motives underlying artworks (“N is for Nature” for Maya Lin). Various media are covered, such as painting, box assemblage, collage, photography, pottery, and sculpture. One artist named isn’t an individual but rather the Gee’s Bend Collective, “generations of African American women in Gee’s Bend, Alabama,” renowned for quilting artistry. Each artist and her or their work is introduced on a double-page spread that features succinct descriptions conveying much admiring, easily comprehensible information. Colorful illustrations include graphically simplified representations of the women at work or alongside examples of their art; the spreads provide ample space for readers to understand what the artists produced. Several women were alive when this volume was written; some died in the recent past or last century; two worked several hundred years ago, when female artists were rare. Commendably, the profiled artists are very diverse: African American, Latina, Native American, Asian, white, and multiethnic women are represented; this diversity is reflected in their work, as explained via texts and illustrations.

A solid introduction to fascinating artists, some familiar, others less so. (minibiographies, discussion questions, art suggestions) (Informational picture book. 6-9)

Pub Date: Feb. 11, 2020

ISBN: 978-0-593-10872-7

Page Count: 64

Publisher: Dial Books

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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What makes one person step into danger to help others? A question worthy of discussion, with this title as an admirable...

THE BRAVE CYCLIST

THE TRUE STORY OF A HOLOCAUST HERO

An extraordinary athlete was also an extraordinary hero.

Gino Bartali grew up in Florence, Italy, loving everything about riding bicycles. After years of studying them and years of endurance training, he won the 1938 Tour de France. His triumph was muted by the outbreak of World War II, during which Mussolini followed Hitler in the establishment of anti-Jewish laws. In the middle years of the conflict, Bartali was enlisted by a cardinal of the Italian church to help Jews by becoming a document courier. His skill as a cyclist and his fame helped him elude capture until 1944. When the war ended, he kept his clandestine efforts private and went on to win another Tour de France in 1948. The author’s afterword explains why his work was unknown. Yad Vashem, the Israeli Holocaust museum, honored him as a Righteous Among the Nations in 2013. Bartali’s is a life well worth knowing and well worthy of esteem. Fedele’s illustrations in mostly dark hues will appeal to sports fans with their action-oriented scenes. Young readers of World War II stories will gain an understanding from the somber wartime pages.

What makes one person step into danger to help others? A question worthy of discussion, with this title as an admirable springboard. (photograph, select bibliography, source notes) (Picture book/biography. 7-10)

Pub Date: Aug. 1, 2019

ISBN: 978-1-68446-063-2

Page Count: 40

Publisher: Capstone Editions

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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