Fine fantasy that borrows too much from Lewis Carroll when it should invest in itself.
A teenage girl runs away from her life of servitude only to be captured by a sorcerer who will help her discover her true past.
When Carin sets out north, heeding the words of the village wise woman, she’s not sure what to expect, but she hopes the pull northward will shed some light on her mysterious past. On her travels, she mistakenly crosses into the lands of the sorcerer Lord Verek. He’s insulted by her trespass, but his anger is tempered by his shock at her imperviousness to his spells. So, Verek invites Carin back to his home for further study. There, he gives her the task of organizing his personal library, which holds the secret to Carin’s true origins: a copy of the book Alice Through the Looking Glass by Lewis Carroll that only Carin can read. She discovers the book might actually be a relic from a life and time she has forgotten—a separate world parallel from the one they live in. Together, Carin and Verek attempt to harness the power of “Jabberwocky”—a poem from Carroll’s book that, when recited, opens a magical portal for Carin to step through. Carin and Verek’s well-crafted relationship balances in a tense power struggle due to Verek’s questionable motives, while other characters—a chatty housekeeper, a wise wood sprite, an enigmatic elfin gardener—are sympathetic and engaging. Though Lightfoot is a capable writer, the plot of this first novel in the proposed trilogy moves along sluggishly at times because of many scenes oversaturated by extensive dialogue. In the end, Lightfoot also relies too heavily on Lewis Carroll’s imagination. Taking inspiration from Alice’s story and alluding to it is tolerable, if unsurprising, but in Lightfoot’s case, her strong start, intriguing premise and original characters could carry more weight if Lightfoot had continued in her own world-building rather than following Carroll so closely down his rabbit hole.
Fine fantasy that borrows too much from Lewis Carroll when it should invest in itself.Pub Date: Oct. 31, 2011
ISBN: 978-0972876841
Page Count: 384
Publisher: Seven Rivers
Review Posted Online: Feb. 10, 2012
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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