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LIKE A WOMAN

Finding the depth in a character’s struggle is the novelist’s task, and Busman does get there but somehow does not make her...

A look at the scorched-earth terrain of a miserable childhood and hardscrabble life on the streets; there's a tough girl named Taylor at the center, coming of age in some of the hardest circumstances.

Busman’s beautifully written debut novel takes place in dirt-poor suburban Los Angeles, though the accents and idiom seem Southern at first, but that might be immaterial—poverty and moral chaos are the setting. The novel dips into episodes in Taylor's life, beginning when she's 7 and part of a tightknit group of children who band together to protect each other from their nightmarish, abusive parents; the deck is stacked against them, and near the beginning of the book, they mourn the loss of a crippled child who has suffered appalling parental abuse. Later, a young teenage Taylor takes to the streets, finding a girlfriend, Jackson, and a car interior to sleep in, which, after the horrors of her childhood home, seems like a refuge. She does drugs, steals compulsively, turns tricks, and tries to nurture her relationship with Jackson, a likable girl working on being a writer amid this rough life. Busman (California State/Humanities and Communication) has perfect pitch for the street slang her characters use and a nice rhythm in her prose, but the specter of kids fighting exploitative adults seems like familiar, even generic, territory. Taylor’s fierce attitude at times verges on corny, with nothing but loss and bad luck coming her way and love also proving a roller coaster (though Busman is at her most lyrical in conveying its sweet power, too). Near the end, a scene of Taylor battling a colt on a ranch gives a glimpse of what Busman is capable of—the novel rears to life, with Taylor for once using her strength against something that isn’t mysteriously set against her, but naturally so. A late episode involving a near drowning also has staggering power, again allowing something elemental to blow open the novel’s focus, which is occasionally too narrow. 

Finding the depth in a character’s struggle is the novelist’s task, and Busman does get there but somehow does not make her protagonist specific enough until the very end.

Pub Date: March 17, 2015

ISBN: 978-1938103247

Page Count: 256

Publisher: Dzanc

Review Posted Online: Feb. 4, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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