A tiresome attempt at contemporary romance.

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TOO MUCH DRAMA

Set in the gated communities of Los Angeles, studded with luxury goods of all kinds, an ostensibly comic romance recounts one very spoiled young woman’s journey to the altar.

When iron-willed matriarch Adeena LeBeau dreams of an imminent wedding, she decides that one of her daughters must make the dream a reality. Donneeka, her eldest, seems the likeliest candidate, so Adeena arranges for her to spend some time with Braxton Dupree. As successful as he is drop-dead gorgeous, Braxton is quite a catch, but Neeka—tired of letting her mother run her life—decides to assert her independence by resisting Braxton’s charms. Neeka’s contrariness is, of course, a time-honored device of romantic comedy, but unfortunately what follows isn’t a slapstick romp so much as a forced march with a deeply unpleasant young woman and a story that’s cluttered with information. Phillips builds her characters and situations from many inconsequential details rather than a few telling ones. Will anyone be interested to learn that Braxton’s trucking business is located between a “small toy factory” and a “modest-sized printing company”? In some cases, the accumulation of detail is not just overwhelming, but contradictory. On one page, Adeena will tell her hairdresser anything; on the next, she’ll be doggedly tight-lipped because she’s conversing with a social inferior. These long-winded, sometimes confusing passages might be forgivable if second-novelist Phillips (The High Price of a Good Man, 2003) had wrapped her story around a likable, engaging heroine. Neeka, however, is no such thing. Shallow, immature, and spectacularly self-centered, she seems to regard independence as nothing more than getting her own way. Having used Braxton for sex while rebuffing his pleas for something more, Neeka decides that the next step in her emancipation should be the public and very personal humiliation of her mother—during a church banquet in Adeena’s honor, no less. It’s impossible not to feel sorry for Braxton when the story finally reaches its preordained conclusion.

A tiresome attempt at contemporary romance.

Pub Date: April 1, 2005

ISBN: 0-312-30526-5

Page Count: 304

Publisher: St. Martin's Griffin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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Another success for the publishing phenom.

UNDER CURRENTS

An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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A clever, romantic, sexy love story.

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RED, WHITE & ROYAL BLUE

The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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