A stolen triptych of paintings and a draconian boarding school are the gravitational poles of a story about love and lies, art and trauma, and the mysteries of fate.
Spark’s fifth novel opens on a Maine island in 2018 as an art appraiser named Gracie Thomas steps off the ferry, ready to be picked up for the last leg of her journey to the home of a collector who’s hired her to set the value of an important trio of paintings by the painter J. Morrison known as the Triplets. The ferry terminal clears out, her ride does not materialize, there’s no cell service, and suddenly the wintry weather is life-threatening. Chapter 2 leaves Gracie by the side of the road and moves to a suburban high school in 1978 Connecticut where Reggie Rupo, who’s been bouncing through the foster care system for most of his life, is pulled out of Spanish class and shipped off to a carceral boarding school called Adalie Lake (whose searing details are based on the author’s interviews with alumni of a real facility closed only in 2011). Chapter 3 turns the clock back to the 1930s with a series of letters between J. Morrison and his wife, Victoria, in which we learn a secret about the Triplets that has been buried ever since. Meanwhile, returning to 2018, Gracie will survive her ordeal only to discover the paintings have gone missing, likely stolen. But what does 1970s Reggie have to do with it? The plot threads come together in a style reminiscent of the linked story collections of Joan Silber—while there is a substantial throughline connecting the key players, there are also characters and settings important in one or two stories, then not seen again. The overall effect is vibrant and suspenseful, if lapsing occasionally into cliche or hasty resolutions of carefully developed situations. After waiting a long time to see whether and how that secret about the paintings will come to light, we expect more outcome than we get. On the other hand, it’s a great little ending.
Lively fiction from a fine Maine novelist, one who deserves more attention.