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ONE SWEET QUARREL

A woman and her two brothers come of age in early 20th-century America in this warm, perceptive second novel from the author of Rima in the Weeds (1990). In 1973, the oldest residents of Shelby, Mont., have gathered in the local grade school's multipurpose room to receive a ``tribute'' from an unctuous former citizen, television actor Michael Cage. Cage wants to write a screenplay about the world heavyweight boxing championship held between Jack Dempsey and Tommy Gibbons in Shelby back in 1923, but he'll need the oldsters' help if he's to do a creditable job; hence the tribute, though the senior citizens themselves have other plans for this event. Daisy Lou Malone takes advantage of the speechifying to recall her youth in turn-of-the-century Minnesota, when she dreamed of being a singer but first had to care for her ailing mother. While Daisy Lou waited for her mom to die, her older brother Carlton set out on his own career as an all-around hustler while her remaining sibling, Jerry, went off to homestead land outside Shelby. By the time Daisy Lou arrived in New York—changing her name to Amelia, recording a few demo records, and performing at churches—it was the 1920's, and her fluttery personality had become as outdated as her musical style. Things could have been worse, though: at least Amelia avoided Jerry's bitterly hard frontier existence, whose only possible redemption would come in the form of an oil well. After the oil boom had passed, prodding Shelby's desperate citizens to dream up the championship fight as a way to lure investment dollars, innocent Amelia decided to come for a visit. The fight changed her life so decisively that she never again left Shelby, but found herself, instead, sitting in the multipurpose room 50 years later, flanked by a scheming brother and an ex-husband, conscientiously preparing for her final song. A pleasurable dip into a long-lost time with its nearly extinct brand of Americans—accomplished, entertaining fiction.

Pub Date: March 16, 1994

ISBN: 0-06-016868-4

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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