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KUNG FU HERO AND THE FORBIDDEN CITY

A COMEDYSHORTSGAMER GRAPHIC NOVEL

Taking advantage of a very fast-growing fan base, this outing aims to expand Olatunji’s branded empire with a video...

YouTube sensation ComedyShortsGamer takes his signature blend of hilarity and hijinks on an unbelievable journey into the fantastical Beijing underground with his brother/nemesis, KSI.

With over 9 million subscribers and 3 billion views on his YouTube channel, Olatunji has become an icon of sorts for his idiosyncratic mix of gamer culture, internet pranks, and viral challenges. First published in the U.K. in 2017, this graphic novel allows Olatunji to bring some of the more costly “crazy ideas that go on in [his] head” into print, embracing the adolescent ridiculousness that brought him and his brother international fame. The plot: In an effort to bring the family together—and get the boys away from video games—the Olatunjis take a family trip to Beijing, where one intricate Deji-led prank leads the Triad crime syndicate to believe he may have heroic kung-fu powers and pose a threat to their takeover of the Forbidden City. All this is further complicated with a stereotypical (if not just downright problematic) pseudo-Chinese mythological quest that has world-ending implications. These characters might as well have been stolen from bad gamer archetypes: the “smokin’ hot love interest,” the street punks and the crime boss with “bad ass haircuts,” and let’s not forget Shi—a beer-drinking, cigar-smoking, woman-ogling, “very inappropriate”–talking, animated Chinese lion dog statue. A clue to the tale’s end is noted in Deji’s introductory character bio: “It’s usually some freaky twist of fate that gets Deji out of sticky situations.” This whole ordeal seems nothing but a sticky situation.

Taking advantage of a very fast-growing fan base, this outing aims to expand Olatunji’s branded empire with a video game–inspired graphic fantasy but delivers nothing more than cheap prepubescent thrills. (Graphic fantasy. 12-14)

Pub Date: Nov. 6, 2018

ISBN: 978-1-4091-7428-8

Page Count: 192

Publisher: Trapeze/Hachette

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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A.L.I.E.E.E.N.

Designed to look like a weatherworn comic found in the woods, this outrageously imaginative graphic novel touts itself as the “first extraterrestrial comic book on earth.” Through a series of untitled nonlinear vignettes, the wide-eyed and seemingly innocent-looking alien characters embark on a series of adventures (and misadventures) that capture intrinsically human characteristics. In some episodes, bright, boldly colored cutesy aliens—who bear a toy-like resemblance—juxtapose violent situations, portraying both beauty and horror, in smart cohesion. Evincing the cruelties, the comedies and the oft-bizarre traits of the protagonists through an inventive and unique format, Trondheim distinguishes himself as a trailblazer in the youth graphic-novel market. Readers will be delighted by the wordless tale with its endearing, yet rascally alien characters and the sometimes crude plot that encompasses a variety of motifs, from invoking compassion to scatological humor. Not for the younger set, but an accomplished offbeat selection worth considering. (Graphic novel. 12-14)

Pub Date: May 1, 2006

ISBN: 1-59643-095-8

Page Count: 96

Publisher: First Second/Roaring Brook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2006

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BURMA CHRONICLES

Though classified as a graphic novelist, Delisle has claimed territory all his own as a graphic-travel memoirist.

Insightful, illuminating memoir of a year under a totalitarian regime.

In 2005-06, Delisle (Shenzhen: A Travelogue from China, 2006, etc.) accompanied his wife, who works as an administrator for Doctors Without Borders, to the country recognized by the United Nations as Myanmar. The United States and other democratic countries, however, still call it Burma, refusing to recognize the legitimacy of the military junta that seized power in 1989. As in the illustrator’s previous adventures in China and North Korea (Pyongyang, 2005), the focus is less on politics and more on the lives of the people he encounters—though such lives are profoundly shaped by politics. He comes to accept checkpoints and censorship as routine, and he does his best to find a suitable home, survive with intermittent electricity and Internet access and take care of his toddler son Louis, whose charm transcends cultural borders. The author also fears malaria, bird flu and poisonous snakes, though the DWB medical community provides more comfort than much of the Burmese citizenry enjoys. Delisle writes and illustrates a children’s booklet on HIV, an important contribution to a country in which heroin and prostitution are rampant. As in previous volumes, his eye for everyday detail combined with droll, matter-of-fact narration humanizes his 14-month experience in a country that might seem traumatic, even intolerable, in other hands. “There were no demands and no uprisings either,” he writes. “Things are always very calm here, thanks to a regime that creates paralysis by fomenting fear on a daily basis.” The undercurrents of Buddhism throughout the book culminate in his visit to a temple, where his meditation proves transformative.

Though classified as a graphic novelist, Delisle has claimed territory all his own as a graphic-travel memoirist.

Pub Date: Sept. 16, 2008

ISBN: 978-1-897299-50-0

Page Count: 208

Publisher: Drawn & Quarterly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2008

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