LAST GIRLS

Three sisters living in a doomsday prepper compound discover there is more to their lives than they thought.

Honey Juniper and her sisters, Birdie and Blue—high school senior, junior, and sophomore respectively—live with their mother in Washington state in The Nest, a compound peopled by a group who are convinced that the end of the world is coming and for which the group is preparing by stockpiling food and weapons. It is the sisters’ fifth move in a decade, a fact relayed by Honey in one of her letters (whose sole purpose seems to be to sum up previously relayed events) to her imaginary friend, Bucky. Honey’s first-person present-tense narrative relays details of life in the compound—always be prepared, don’t trust Outsiders—and about high school, where she and her sisters are considered “weirds.” A concurrent storyline told in separate chapters is narrated by Toby, an 18-year-old street artist who lives with his mother, also an artist, in San Diego. The connection between the two storylines becomes apparent early on, and it’s not clear if this is intentional. The rest of the story unfolds with much of the plot being easily anticipated. The narrative lacks nuance and is blocky with implausibly convenient coincidences and conveniently dense characters. The characters, mostly white but with a black love interest, are solidly one-dimensional, never moving beyond their initially described character traits.

A clumsy offering.