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EVERYTHING EXPLAINED THAT IS EXPLAINABLE

ON THE CREATION OF THE ENCYCLOPAEDIA BRITANNICA'S CELEBRATED ELEVENTH EDITION, 1910-1911

A well-researched, brightly told history of the men and women who saved a great compendium of knowledge.

How grit and determination created an encyclopedia for the modern world.

In the 1890s, the Encyclopedia Britannica, then in its Ninth Edition, and the prestigious Times of London both were losing money. Critic and editor Boyles (Superior, Nebraska: Common Sense Values of America’s Heartland, 2008, etc.), editor at large and columnist for Men’s Health, focuses on a pair of audacious American bookmen, Horace Everett Hooper and Henry Haxton, who hatched a plan to revive the fortunes of both eminent publications. They would use the newspaper to sell the encyclopedia by barraging readers with “bombastic, full-page and direct-mail marketing,” a form of advertising that the staid Times had never seen. For Hooper, promoting the encyclopedia was more than a way to make money: an idealist and anglophile, he saw the encyclopedia as “a tool for making the world a better, more civilized place by supporting his romantic vision of an English-speaking elite.” He aimed, he said, “to make the Britannica self-sustaining and give it to Britain as a national trust.” By the time the two men launched their plan, it was clear that the Ninth Edition was quickly becoming outdated. Scientific, technological, social, and political changes mandated new material, so they decided to produce supplemental volumes, hiring as editor respected journalist Hugh Chisholm, “a man of the world as well as a scholar.” Throughout his tenure, the heroic Chisholm served as ballast to ground Hooper’s wild enthusiasms. Boyles traces the evolution of the Britannica and the fate of the Times through lawsuits, battles for ownership, and ongoing money woes involving colorful, earnest, sometimes eccentric characters. It all culminated in the majestic 11th Edition: 40,000 long, erudite, yet accessible articles written by a huge number of renowned contributors. Boyles focuses mostly on the business end; his look at content is illuminating, though, and might well have been expanded.

A well-researched, brightly told history of the men and women who saved a great compendium of knowledge.

Pub Date: June 7, 2016

ISBN: 978-0-307-26917-1

Page Count: 464

Publisher: Knopf

Review Posted Online: Feb. 27, 2016

Kirkus Reviews Issue: March 15, 2016

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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