by Denis Guedj & translated by Arthur Goldhammer ‧ RELEASE DATE: Sept. 1, 2001
“Seldom has history been so inextricably intertwined with the history of science,” comments Guedj. And seldom have such...
After his fine romp-cum-history-of-mathematics (The Parrot’s Theorem, p. 889), Guedj brings us another science-novel, this one set during the French Revolution and telling how the metric system came to be.
Based on reason (and wild excesses of same), the Revolution occurred in an age that craved the universal, ideal, and absolute. Little wonder, then—when “seven or eight hundred different units of measurement” were in use—that the revolutionists set out not just to end the monarchy but to unify weights and measures once and for all. Nor is it surprising, either, that they based their thinking not on something artificial or made up, but that “they chose the earth itself as the standard—the earth, shared by all men, invariable, and universal.” In short, they would measure the earth’s quarter meridian, divide by ten million, and—presto!—the meter would exist. With scrupulous detail and passionate attentiveness, Guedj follows the two scientists appointed to the huge task of measurement—Pierre Méchain and Jean-Baptiste Delembre—as they go on their individual six-year odysseys, one starting in Barcelona and measuring north, the other in Dunkirk and measuring south. These real-life scientists will indefatigably climb mountains and bell towers to take endless sightings with the newly invented and incredibly accurate “repeating circle”; will be imprisoned, threatened by mobs, struck by injury—and even persecuted by the Terror itself during their 1792–98 labors, all the while discoursing with the likes of Lavoisier, Condorcet, Borda, d’Alembert, and Laplace. Patience can be helpful as the increments of narrative tick by, but rewards are plentiful, too, in seeing the Revolution, for example, from these scientists’ unusual vantage, or in living through the nightmarish possibility that the entire great project might crumble due to a single mismeasurement back at the very beginning.
“Seldom has history been so inextricably intertwined with the history of science,” comments Guedj. And seldom have such interesting books as his come from that union.Pub Date: Sept. 1, 2001
ISBN: 0-226-31030-2
Page Count: 300
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
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BOOK REVIEW
by Denis Guedj
by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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