Next book

TEACH ME TO LOVE

While the book is well-intentioned, the “teach me” moments are both forced and too sweet for most palates.

The color photos of 11 different baby animals will produce many oohs and aahs, while the singsong rhymes teach various attributes.

The opening spread depicts a mother bear and two cubs. “I will learn. / Teach me, okay? / Show me, show me, / show me the way!” A monkey demonstrates swinging and climbing; a pair of heavy-lidded chicks presumably respond to a lesson in sleeping. Some of the “lessons” pair logically with the animals, but others do not: There are bunnies with “hop” and a cheetah with “run” but also a kitten with “smile.” The photo of a mother and baby giraffe is glossed with a no-doubt rhyme-induced injunction to “[t]each me how / to be a friend. / Show me how / to stretch and bend.” The photo of a white dog and a black dog carrying a stick together makes the point of sharing. Kids will enjoy the animal photos, particularly those of babies, but it’s unfortunate that they are not identified anywhere. Even very young children love to point and repeat a name, but without it in the rhyme or on the page or even the backmatter, that element is missing.

While the book is well-intentioned, the “teach me” moments are both forced and too sweet for most palates. (Picture book. 3-5)

Pub Date: Aug. 1, 2014

ISBN: 978-1-58536-858-7

Page Count: 24

Publisher: Sleeping Bear Press

Review Posted Online: June 24, 2014

Kirkus Reviews Issue: July 15, 2014

Next book

YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

Next book

WITH ALL MY HEART

Sweet.

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

Close Quickview