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FACE OF AN ANGEL

Shoots out lots of sparks, but nothing ignites. (First printing of 25,000; author tour)

Soveida, the Mexican-American waitress narrating this unruly first novel, has such an enchanting voice and so willingly reveals all that it takes a while to catch on that she is never going to get to the point.

It's a shame, too, because Chavez (The Last of the Menu Girls, not reviewed) has created a wonderfully vibrant character whose little stories of life in the small New Mexico town of Agua Oscura are full of imaginative detail. As a religious young woman Soveida is fascinated by Saint Maria Goretti, who was raped and then killed. Later she learns about sex from an erotic-movie preview mistakenly shown to her elementary school class when they go to see The Song of Bernadette. At 15, Soveida begins working as a bus girl at a restaurant, where she eventually advances to waiting tables and starts writing ``The Book of Service,'' a collection of advice for young women thinly disguised as a waitressing guide. (The chapter on hands instructs servers not to wear rings because they will get dirty: ``Especially wedding, engagement, or friendship. They will only go down the drain sooner or later, and cause some kind of chafing.'') She herself marries twice, to a philanderer who leaves her for another woman and to a man afflicted with Peyronie's disease, a blood-vessel disorder that makes sexual excitement painful and intercourse impossible. After the latter's suicide, she takes up with a community-college professor of Chicano Culture and Tradition and Folklore. There are plenty of good ideas buried here: the different kinds of service in women's lives, academic distance from real life, the influence of upbringing. Unfortunately, none of these is presented as a central theme. Adding to the kitchen-sink feeling is the inclusion of documents ranging from Soveida's college papers (including her professor's comments and grades) to letters from former husbands and lovers.

Shoots out lots of sparks, but nothing ignites. (First printing of 25,000; author tour)

Pub Date: Sept. 1, 1994

ISBN: 0-374-15204-7

Page Count: 356

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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