by Denise Chávez ‧ RELEASE DATE: Sept. 18, 2014
A haunting book from a novelist (Loving Pedro Infant, 2001, etc.) who inspires us to appreciate what we have before it is...
Chávez's new novel is the sprawling tale of Comezón, a New Mexico border town. The book is anchored by the aging master of ceremonies of the town's yearly fiesta, Arnulfo Olivárez, as he regretfully looks back on his life.
Longing, the author’s translation of “comezón,” is at the center of this book and all its characters. Longing for the local priest, El Padre Manolito (Juliana Olivárez); longing for the crippled Juliana, the woman he cannot have (El Padre Manolito); longing for the family she knows is her right (Juliana's sister, Lucinda Olivárez); longing for peace from his obsession with the illegals he helped deport to Mexico (Rey Suárez the bar owner); and longing for her husband’s attention (Emilia Olivárez). Everyone longs for love and for the body they desire—whether that body be their own full and healthy again or the body of a lover. “What was he doing here…besides longing for love?” asks El Padre Manolito. Indeed, whose longings will be satisfied and whose will go unrequited becomes the central drama of the novel. And when Emilia suffers a near-fatal stroke, it sets off a chain of events that forces the characters, especially her husband, Arnulfo, to reconsider what they truly desire. Told in the close third person, the narrative shifts among the points of view of all the characters. While the rotating perspective does create some beautiful moments and reveal some delicious ironies, at times the story slows when information is repeated from multiple perspectives without adding further depth. But if you have a penchant for winding narratives in which the drama of the story takes place within the Proustian world of memory, this is the book for you.A haunting book from a novelist (Loving Pedro Infant, 2001, etc.) who inspires us to appreciate what we have before it is gone.
Pub Date: Sept. 18, 2014
Page Count: 328
Publisher: Univ. of Oklahoma
Review Posted Online: July 27, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.The phrase “tour de force” could have been invented for this audacious novel.
Pub Date: March 10, 2015
Page Count: 720
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
Page Count: 323
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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