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ACCESS DENIED

Ever funny and clever, Erin tackles eighth grade. Her blog now truly private—preventing 2008’s Harriet the Spy–like reveal in Click Here (To Find Out How I Survived the Seventh Grade)—she tallies “Things That Rock,” “Things That Make Me Wonder,” “Top 5 First Period Nightmares” and boys worthy of the Hot-O-Meter. Crushes and couplings wax and wane; Erin IMs and ponders attraction’s inconstancy. Narrating in first-person prose, she recognizes her own solemn playfulness as she swears “I’m never washing my nose again” (after a cute boy taps it) or taunts her older brother with a tampon (wrapped, natch, but still horrifying to him). Beloved school custodian Mr. Foslowski, who sympathizes and provides Tootsie Pops, balances Erin’s strict parents (“They wouldn’t even let me go to just any PG-13 movie. Hello? PG-13? I’m thirteen?”). Experimenting with disobedience (skipped seatbelt; forbidden party) initiates some sorrows that are only partly Erin’s fault. Voice occasionally strains (calling her own breasts “my perky petes”?), and Vega unfortunately conflates poverty with smoking, lying and getting kicked out of school. However, Erin’s ups and downs are humanizing, entertaining and real. (Fiction. 9-13)

Pub Date: July 1, 2009

ISBN: 978-0-316-03448-7

Page Count: 288

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2009

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LAUGH WITH THE MOON

Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable...

Melding the colors of heartache and loss with painterly strokes, Burg creates a vivid work of art about a girl grieving for her recently deceased mother against a Third World backdrop.

Clare is not speaking to her father. She has vowed never to speak to him again. Which could be tough, since the pair just touched down in Malawi. There, Clare finds herself struck by the contrast between American wealth and the relatively bare-bones existence of her new friends. Drowning in mourning and enraged at the emptiness of grief, Clare is a hurricane of early-adolescent emotions. Her anger toward her father crackles like lightning in the treetops. She finds purpose, though, in teaching English to the younger children, which leads her out of grief. Burg’s imagery shimmers. “The girl talks to her mother in a language that sounds like fireworks, full of bursts and pops. She holds her hand over her mouth giggling.... She probably has so many minutes with her mother, she can’t even count them.” Her realization of the setting and appreciation for the Malawian people are so successful that they compensate for Clare's wallowing, which sometimes feels contrived.

Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable disparities. (Fiction. 9-12)

Pub Date: June 12, 2012

ISBN: 978-0-385-73471-4

Page Count: 256

Publisher: Delacorte

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: April 15, 2012

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IF YOU COME SOFTLY

Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books.

In a meditative interracial love story with a wrenching climactic twist, Woodson (The House You Pass on the Way, 1997, etc.) offers an appealing pair of teenagers and plenty of intellectual grist, before ending her story with a senseless act of violence.

Jeremiah and Elisha bond from the moment they collide in the hall of their Manhattan prep school: He’s the only child of celebrity parents; she’s the youngest by ten years in a large family. Not only sharply sensitive to the reactions of those around them, Ellie and Miah also discover depths and complexities in their own intense feelings that connect clearly to their experiences, their social environment, and their own characters. In quiet conversations and encounters, Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. Suddenly Miah, forgetting his father’s warning never to be seen running in a white neighborhood, exuberantly dashes into a park and is shot down by police. The parting thought that, willy-nilly, time moves on will be a colder comfort for stunned readers than it evidently is for Ellie.

Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books. (Fiction. 11-13)

Pub Date: Sept. 1, 1998

ISBN: 0-399-23112-9

Page Count: 181

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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