An adequate introduction to a remarkable 20th-century author.
Zora Neale Hurston and her times come alive in this introduction for young readers.
Living in the all-black town of Eatonville, Fla., Zora Neale Hurston never had to face the racism of her times. She grew up proud and confident, believing “the moon followed her wherever she went.” Early on, she cultivated the dream of becoming a famous writer, and though she faced many obstacles along the way, she succeeded with Their Eyes Were Watching God, which has sold over five million copies and is now a fixture of high school and college curricula. The volume is nicely designed, and the many photographs (captions not seen) make it feel like a Hurston scrapbook, though there are too many pages of dense text unbroken by images. Somehow, though, Hurston’s odyssey—through the Harlem Renaissance and the Prohibition era, as well as through the South collecting stories from former slaves, lumber workers near the Everglades and voodoo practitioners in New Orleans—comes off as dry and not especially interesting. Audience is an issue, too, since the volume is aimed at young readers who won’t have heard of Hurston and won’t find books by her for their age group. A work aimed at an older teen audience might have better hit the mark.
An adequate introduction to a remarkable 20th-century author. (two folktales, timeline, source notes, bibliography, index) (Biography. 9-12)Pub Date: Aug. 7, 2012
ISBN: 078-0-547-00695-6
Page Count: 192
Publisher: Clarion Books
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
A prolific reporter of paranormal phenomena strains to bring that same sense of wonder to 12 “transposed”—that is, paraphrased from interviews but related in first person—accounts of extraordinary experiences. Some feats are more memorable than others; compared to Bethany Hamilton’s return to competitive surfing after having her arm bitten off by a shark and Mark Inglis’ climb to the top of Mount Everest on two prosthetic legs, Joe Hurley’s nine-month walk from Cape Cod to Long Beach, Calif., is anticlimactic. Dean Karnazes hardly seems to be exerting himself as he runs 50 marathons on 50 consecutive days, and the comments of an Air Force Thunderbirds pilot and a military Surgeon’s Assistant in Iraq come off as carefully bland. The survivors of a hurricane at sea, a lightning strike and a tornado, on the other hand, tell more compelling stories. Most of the color photos are at least marginally relevant, and each entry closes with a short note on its subject’s subsequent activities. Casual browsers will be drawn to at least some of the reconstructed narratives in this uneven collection. A reading list would have been more useful than the superfluous index, though. Fun, in a scattershot sort of way. (Nonfiction browsing item. 10-12)
Pub Date: March 1, 2011
ISBN: 978-1-4027-6711-1
Page Count: 136
Publisher: Sterling
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
“Il était une fois…” French Canada’s version of beanstalk-climbing Jack gets a rare outing in three tales refashioned from old sources by a veteran storyteller. Preserving the lightest touch of a French inflection—“Cric, crac, / Parli, parlons, parlo. / If you won’t listen, / Out you go”—Andrews sets her naïve but teachable everylad up against a trio of opponents. There is a grasping princess who tricks him out of a magic belt, moneybag and trumpet; a murderous little man who sets him on numerous impossible tasks after beating him at marbles; and a harsh seigneur who insists on chucking his intellectual daughter’s suitors into the dungeon when they prove to be less clever than she. Thanks to hard work, a little magic and a winning way with the ladies, Ti-Jean ultimately comes out on top in each episode while never allowing lasting harm to come to anyone and is ever magnanimous in victory. Illustrated with frequent scribbly, lighthearted ink-and-wash scenes and vignettes, these stories read with equal ease silently or aloud and offer a winning introduction to a universal folk character. Equally charming is the source note, in which Andrews describes the origins of the tales and how she worked with them. “Sac-à-tabac, / Sac-à-tabi. / The story’s ended, / C’est fini.” (Folktales. 9-11)
Pub Date: April 1, 2011
ISBN: 978-0-88899-952-8
Page Count: 72
Publisher: Groundwood
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
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