For emergent readers, this abecedarian tour of the animal world is an excellent choice.
A host of animal children play with the letters in this beautifully illustrated picture book.
When a koala wakes, there’s a letter N balancing on the animal’s nose. A penguin looks down at the T on its toes. As the poem progresses, an elephant, a lion cub, a monkey, a giraffe, some quokkas, and more get ready for school as letters dance across the pages, spelling out whatever part of the body the poem describes. Maris’ illustrations position the first letters of words directly on the animal, with the rest of the word dangling from a clothesline that bisects the illustration. Some of the animals are paired with the letter that starts their name (the elephant has E for eyes and ears, the llama has an L for lips), but that’s the exception rather than the rule. Canfield’s silly poem scans well, and the simple vocabulary and short phrases, paired with the emphasis on letters, make this a perfect choice for newly independent readers growing their skills. Maris’ painterly illustrations feature realistic looking animals dressed in clothing and accessories. The elephant wears glasses, and the giraffe has a prosthetic leg. The appealing characters are well textured, with fur that looks soft to the touch.
For emergent readers, this abecedarian tour of the animal world is an excellent choice.Pub Date: April 1, 2022
ISBN: 979-8-9852756-1-2
Page Count: 32
Publisher: Well Spoken Books
Review Posted Online: March 31, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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