WILD WOMEN AND THE BLUES

The lives of an ambitious chorus girl in 1925 and a grieving film student in 2015 intersect in this debut novel.

It’s 2015, and Sawyer Hayes is desperate to finish his doctoral thesis on the legendary filmmaker Oscar Micheaux. Sawyer lost over a year to prescription drug abuse after the traumatic death of his sister, Azizi, and he’s convinced that jump-starting his professional life will put the pieces back together—and maybe help him stop seeing Azizi’s ghost. But he needs Honoree Dalcour, a 110-year-old woman who spent time with Micheaux back in the 1920s, to fill in the blanks of his research. With Miss Honoree ailing and ornery, though, it’s going to take a lot more work than Sawyer anticipated to unveil her story. Back in 1925, Honoree is a vibrant young woman determined to dance onstage at Chicago’s famed Dreamland Cafe. But Archie Graves, her abusive boss, keeps her on a short leash, and she’s not sure she’ll ever escape the confines of his club, Miss Hattie’s. With the arrival of 16-year-old new chorus girl Bessie Palmer and the sudden reappearance of Honoree's childhood love, Ezekiel Bailey—now involved in the dangerous dealings of the city’s notorious gangsters—the course of her life will change forever. As Sawyer gets to know Honoree, their stories intertwine, revealing decades-old secrets. The author deftly weaves fiction with reality—figures like filmmaker Oscar Micheaux, musician Louis Armstrong, and actor Charlie Chaplin all appear—and paints a vibrant picture of the sparkling yet seedy era, but the two timelines are uneven. Though the characters in 1925 are multilayered, those in 2015 feel underdeveloped. And while the modern-day timeline adds some mystery to the plot, it’s mostly unnecessary to the overall story arc.

Perfect for fans of light historical fiction led by a complex heroine.