A bighearted story that will have readers rooting for Henry “Biggie” Abbott.
In Sullivan’s debut novel, an obese and lonely high school boy dreams of love, pitching a perfect game and finding his place in the world.
Funny how a boy who stands 6 foot 2 and weighs “north of three hundred pounds” can be invisible. But that’s how Henry “Biggie” Abbott likes it. He has discovered that the bigger he gets, the less fellow students make fun of him. He sits in the backs of classrooms, rarely speaks, and relies on Yahoo and Facebook to accumulate a massive friends list. Trouble is, he dreams of kissing Annabelle Rivers, and invisible boys don’t get the beautiful girls. When Biggie happens to pitch a perfect Wiffle ball game in gym class, he thinks maybe he could pitch a perfect game for his school’s baseball team. Younger brother Maddux says he would be the first player in school history to do so, and not even his father, a member of the Iowa Baseball Hall of Fame, threw one in his day. The first-person point of view works well here, demonstrating Biggie’s lonely self-absorption and his earnest forays in seeking connections. Though the pacing is sometimes slow, Biggie’s story will resonate with all those students who feel invisible and alone.
A bighearted story that will have readers rooting for Henry “Biggie” Abbott. (Fiction. 14-18)Pub Date: March 1, 2015
ISBN: 978-0-8075-0727-8
Page Count: 272
Publisher: Whitman
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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