Wickedly, subversively brilliant.
In this illustrated retelling of the “Humpty Dumpty” nursery rhyme, the egg still falls, but does Humpty lose it all?
Humpty Dumpty lives near a wall and has “no fun at all,” nor do any of the creatures who inhabit this sharp, dark world brought to exquisite life by masterful black-and-white illustrations. The king in this gloomy world has forbidden his subjects—all well-known fairy-tale and nursery-rhyme characters, a clever, nuanced touch—to dream. But Humpty has a dream anyway: He wants to look over the wall. He builds a ladder in secret (“he couldn’t even tell his friend the Mad Hatter”), and one night, he props his ladder against the wall and climbs. The next day, an egg is found in pieces and the king declares the wall has won, sending out photos of the smashed egg. But in his haste to dampen any glimmers of hope his subjects might harbor, the king has neglected to look carefully at the eggshell, and what he misses sets his subjects free. Hughes’ rhyming text is simple, as befits its source, but its timely message is profound: Dreams cannot be stopped by a wall. Christopher’s sublimely detailed illustrations, the style of which, appropriately, harkens to Arthur Rackham, strengthen and expand the story indelibly, giving it visual excitement and atmospheric impact.
Wickedly, subversively brilliant. (Picture book. 6-10)Pub Date: Jan. 7, 2020
ISBN: 978-1-5247-9302-9
Page Count: 48
Publisher: Penguin Workshop
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Best for readers who have clearly indicated they would like to take their writing efforts to the next level.
A young white girl writes and illustrates a story, which is critiqued by the narrator as it is created.
The girl begins her story by drawing a Hero. Then she thinks maybe a Heroine would be better. Then she decides both will work. She places them in “a good town, filled with good people, called our Setting.” The narrator, an unseen editor who lurks over the artist’s shoulder, tells the storyteller she needs to put in some Conflict, make the Evil Overlord scarier, and give it better action. This tongue-in-cheek way of delivering the rules of creative writing is clever, and paired with Le Huche’s earnest, childlike illustrations, it seems to be aimed at giving helpful direction to aspiring young creators (although the illustrations are not critiqued). But the question needs to be asked: do very young writers really need to know the rules of writing as determined by adults? While the story appears to be about helping young readers learn writing—there is “A Friendly List of Words Used in this Book” at the end with such words as “protagonist” and “antagonist” (glossed as “Hero and Heroine” and “Evil Overlord,” respectively)—it also has a decidedly unhelpful whiff of judgment. Rules, the text seems to say, must be followed for the story to be a Good one. Ouch.
Best for readers who have clearly indicated they would like to take their writing efforts to the next level. (Picture book. 6-10)Pub Date: Sept. 12, 2017
ISBN: 978-1-4814-2935-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Will leave readers as happy as a pig in mud.
It’s good to embrace change.
Although an unseen narrator attempts to tell an accustomed version of “The Three Little Pigs”—here named Alan, Alfred, and Alvin Albert—their younger sister, Alison, wants to get in on the action because she’s a natural storyteller. The narrator grudgingly allows Alison to tag along, but her added bits of flavor and the unexpected personalities of her brothers soon send the story off its traditional tracks and into hilarious hijinks. For example, Alan’s love of building allows him to design a functional house made of plastic drinking straws, Alfred’s stick house is actually constructed by Alan because Alfred’s clearly a star and not stage crew, and Alvin’s shacking up in a pumpkin behind Cinderella’s castle because he’s…not the crispiest piece of bacon on the plate. Alison’s quick thinking leads the brothers to be one step ahead of the wandering wolf. When the narrator hits their limit, a conversation with Alison proves that collaboration can lead to unexpected but wonderful results. The story flows well, accompanied by energetic cartoon art, and the choice to color-code the speech bubbles of each character (and the text of the narrator vs. Alison) ensures readers will be able to follow the snappy dialogue. Those who love to make up their own stories will be inspired, and readers who march to the beats of their own drums will be delighted. (This book was reviewed digitally.)
Will leave readers as happy as a pig in mud. (Picture book. 6-10)Pub Date: Oct. 25, 2022
ISBN: 978-1-5420-3243-8
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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