by Derik Cavignano ‧ RELEASE DATE: N/A
A gleefully hard-boiled urban fantasy that lights up Boston’s mean streets.
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From the author of Where the Dark One Sleeps (2002) comes the story of an accountant who’s drawn into the clutches of a cult bent on reshaping the world.
In Boston, accountant Jacob Hanley is about to enjoy a restaurant meal when an old man stumbles in. Jacob catches the flailing man and is told to “Beware the Order,” the “plane of Symbios” and “the Great Elder.” Rattled as the man dies, Jacob assumes the ordeal is another of God’s sick pranks, like when his wife, Megan, died from a sudden aneurysm over a year ago. Later, Jacob realizes that he absentmindedly picked up a stranger’s ID from his table in the restaurant, and the 30-year-old stranger—Charles J. Riggs III—has the same piercing eyes as the old man. Jacob’s brother Ray, a police detective, agrees to investigate and learns that the old man was in fact Charles Riggs, a microbiologist who worked for Symbios Innovations. After muggers snatch Riggs’ ID, Jacob can’t resist checking out Riggs’ residence. He finds a computer document named SX4 and emails it to himself. From there, the accountant falls deeper into the deadly realm of an age-defying cult run by the powerful Great Elder. Author Cavignano brings wonderful characterization of people and places to his lightning-paced fantasy thriller. Jacob is a sympathetic widower who’s cut himself off from friends; he’d be totally lost without family. Boston neighborhoods are impeccably portrayed, like the North End’s “white-haired old men sitting in folding chairs outside tiny groceries.” There’s some enjoyable sci-fi, too, as with the Great Elder’s intelligence-enhancing formula that creates “an explosion of glial cells to support a host of new neurons.” But when readers finally encounter the menacing phenomena at the heart of the narrative, they may feel shortchanged. Religion and environmentalism also have a strong presence in the adventure, yet the goons-and-guns elements overshadow them; perhaps a sequel will explore the heavier topics more fully. Cavignano’s overall execution is nevertheless quite entertaining.
A gleefully hard-boiled urban fantasy that lights up Boston’s mean streets.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Nov. 13, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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