by Derrick Barnes ; illustrated by Gordon C. James ‧ RELEASE DATE: Sept. 1, 2020
The title says it all: Black boys are “every good thing.”
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New York Times Bestseller
A much-needed book for Black children when society demonstrates otherwise.
The Kirkus Prize–, Coretta Scott King Honor–, Newbery Honor–, and Caldecott Honor–winning team behind Crown: An Ode to the Fresh Cut (2017) return for another celebration of Black excellence. In a text brimming with imagination and Black-boy joy, Barnes lays the foundation for young Black readers to go forth into the world filled with confidence and self-assurance: “I am brave. I am hope. / I am my ancestors’ wildest dream. / I am worthy of success, / of respect, of safety, of kindness, of happiness.” Simultaneously, he opens a window for non-Black readers to see Black boys’ humanity. They have dreams, feel pain, are polite and respectful—the list of qualities goes on. Barnes also decides to address what is waiting for them as they experience the world. “I am not what they might call me.” With this forceful statement, he provides a tool for building Black resilience, reassuring young Black readers that they are not those names. James supplies his customarily painterly art, his brushy oils painting Black boys of every shade of brown playing, celebrating, achieving, aspiring, and loving. Through every stroke readers will see that Black boys are “worthy / to be loved.” (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 35% of actual size.)
The title says it all: Black boys are “every good thing.” (Picture book. 4-8)Pub Date: Sept. 1, 2020
ISBN: 978-0-525-51877-8
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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PERSPECTIVES
by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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