by Desiree Ultican ‧ RELEASE DATE: Jan. 4, 2020
A wonkish but rousing fantasia.
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A female airship pilot battles an evil industrialist, a Prussian militarist, and a sexist society in this debut steampunk adventure.
In 1896, after Heinz Amstel, a German engineer and businessman in Joplin, Missouri, turns up dead—electrocuted and torn apart by coyotes—his widow, Evaline, known as “Evvy,” is left with a mountain of debt; custody of young Bettina, Heinz’s daughter by another woman; and the bankrupt remnants of Heinz’s airship company, which offers paying customers the best airborne experience that money can buy. She duly learns to fly the dirigibles herself, and she becomes famous when she pilots a group of Baptists and a newspaperman through a tornado to a safe landing. Unfortunately, Evvy is shadowed by minions of Prussian Count Ferdinand von Zeppelin, who claims that his stolen designs were the basis for the superairship that Heinz was secretly building, The Empress of the Clouds. She’s also stalked by Georgia tycoon Erasmus Marchand, who’s planning to fit Empress with a death ray and overthrow the government by zapping President William McKinley’s inauguration from the sky; his new regime, he says, will simultaneously reinstitute slavery and establish a Jewish national homeland in the United States. Evvy’s quest to thwart the various plots, assisted by chivalrous deputy Sean McTavish, leads her into ever more dangerous scrapes, all heading toward a rare dirigible dogfight. Ultican’s period fantasy is all about the newfangled gear. Evvy is a STEM-focused heroine who’s endlessly inquisitive about horseless carriages, electric dynamos, fluorescent goggles, and other marvels, forever flummoxing patronizing men with her knowledge and skill. The narrative sometimes drifts like a giant balloon, and the characters’ schemes and motivations aren’t always plausible. But Ultican’s straightforward prose makes the science and engineering interesting and the action scenes gripping: “The girders twisted and snapped, emitting unearthly high-pitched tones as heavy bolts and metal beams hurtled through the atmosphere, scattering the terrified onlookers who now desperately sought to escape.” Readers who love derring-do with charismatic, old-school technology will find this a diverting read.
A wonkish but rousing fantasia.Pub Date: Jan. 4, 2020
ISBN: 978-1-65525-866-4
Page Count: 365
Publisher: Self
Review Posted Online: March 23, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
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by Allison Pataki ‧ RELEASE DATE: March 19, 2024
The author never finds her subject in this mostly lackluster account of a memorable literary figure.
A fictionalized take on the trailblazing life of 19th-century feminist Margaret Fuller.
Much has been written about Fuller, including a Pulitzer Prize–winning biography published in 2014. But Pataki believes Fuller still hasn’t gotten her due—especially in comparison to her male contemporaries. Hence this novel, which begins in Concord, Massachusetts, in 1836, when the 26-year-old Margaret—home-schooled by her father and highly educated for a woman of her time—first visits Ralph Waldo Emerson. Waldo, as he was known, becomes her great mentor and friend, and soon Margaret is keeping company with the likes of Henry David Thoreau and Nathaniel Hawthorne. In this telling, Emerson and Hawthorne are wildly attracted to her—Hester Prynne in Hawthorne’s The Scarlet Letter is thought to have been inspired by Fuller—but remain tied to their traditional wives. Though not exactly lonely, Margaret, who narrates her story, is portrayed as a woman alone, struggling with financial woes. Yet soon enough she is making a name for herself, leading groundbreaking conversation groups for women; editing The Dial, journal of the Transcendentalists; writing books; and working for social reform. After she signs on as a journalist for the New-York Tribune, editor Horace Greeley sends her to report from Europe as the first female foreign correspondent. Margaret eventually arrives in Italy to cover the country’s fight for independence and begins an affair with a Roman soldier, Giovanni Ossoli, with whom she has a baby. Despite these dramatic events, much of the novel is earnest and tame, the opposite of a page-turner. There’s a lot of clumsy exposition and literary name-dropping, with dialogue nowhere near as lively as the characters speaking it.
The author never finds her subject in this mostly lackluster account of a memorable literary figure.Pub Date: March 19, 2024
ISBN: 9780593600238
Page Count: 416
Publisher: Ballantine
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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by Allison Pataki and Owen Pataki
by Kristin Hannah ‧ RELEASE DATE: Feb. 9, 2021
For devoted Hannah fans in search of a good cry.
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The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.
“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.
For devoted Hannah fans in search of a good cry.Pub Date: Feb. 9, 2021
ISBN: 978-1-2501-7860-2
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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