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I SET BEFORE YOU THIS DAY

A tired story hampered by amateurish prose and execution.

A half-Kaw, half-white boy fights prejudice in the Wild West.

When Knoton, a “half-breed,” stumbles into the MacKenzie ranch on a lame horse, the locals are wary. But despite his obvious Native-American features and the deep fear of the Apache in the region, MacKenzie takes a chance on him. The locals aren’t the only ones afraid. Knoton is terrified, despite being led to this place by his “spirit guide,” a disembodied feminine voice which has never led him astray. It’s for good reason–his mother, a Native-American, suffered terribly for marrying a white man, and the hired hands and local townspeople who call him a savage don’t assuage his fears. Luckily, Knoton is noble and pure of heart and wins the confidence of the locals by performing the usual acts of valor, including melodramatically saving a child from the wheels of a passing stagecoach. Knoton slowly gains acceptance from the white community and begins to learn their customs, but struggles to reconcile the “white ways” with his Native-American traditions. The tension between Knoton’s white and Native-American halves could be interesting, but instead it is poorly developed and unconvincing. In tracing his story of acceptance and assimilation, the author attempts to present a kaleidoscopic portrait of the ranch and the local town, an ambitious project that unfortunately does not succeed. Characters appear and disappear within the span of a few pages, and those who do stick around are static. Storylines abruptly stop for no apparent reason–a conflict between the Mackenzie’s and a rival ranching family, an obvious plot vehicle, goes absolutely nowhere–and the novel disintegrates into a series of events strung together without rhyme or reason, stumbling along to a predictable and maudlin conclusion.

A tired story hampered by amateurish prose and execution.

Pub Date: March 28, 2007

ISBN: 978-1-4259-8258-4

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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