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THE SOUTH IN MODERN AMERICA

A REGION AT ODDS

In a perceptive look at the nation's most distinctive region, Grantham (History/Vanderbilt Univ.) examines the relationship between the South and the rest of the United States during the 20th century. He delineates this relationship in terms of several major themes, exploring the modern history of sectional conflict, the many areas of compromise among the regions, cultural convergence between the South and other areas of the country (with the consequent blurring of southern culture's special features), and the persistence, nonetheless, of southern distinctiveness in the nation's consciousness. Conflict was reflected both in the mutually unflattering perceptions and attitudes of Southerners and Northerners and in substantive differences between the regions on party alignment, civil rights, Prohibition, and federal regulation of utilities, tariffs, and banks. Although it often disagreed with the Northeast, Midwest, and West on these and other issues, the South in Grantham's view pervasively influenced American politics and society as a whole in many ways. Prior to WW II and the civil rights movement, the Democratic party was controlled by its southern wing, and southern Democrats, from Richard B. Russell to Huey Long, were a powerful force in Congress, one with which successive presidents had to reckon. In more recent years conservative southern factions have demonstrated similar influence in the Republican party. With what Grantham calls the ``Second Reconstruction'' of the 1960s and with the emergence of the Sunbelt South, the region has lost its traditional hallmark of backwardness, developing an increasingly urbanized economy and becoming in many ways more prosperous and progressive than the decaying, racially polarized North. Nonetheless, Grantham argues, the South retains some of its special cultural features, including a fervent religiosity, a ``subculture of violence,'' and a profusion of literary talent, from Barry Hannah to Bobbie Ann Mason. A rich, sympathetic, warts-and-all portrait of the South.

Pub Date: Oct. 1, 1994

ISBN: 0-06-016773-4

Page Count: 336

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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