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WHERE HAS THE TIGER GONE?

A rare and distinctive perspective on the relationship between people and tigers, though with specialized appeal.

Tiger stories from the Gond people, one of the largest Indigenous groups in South Asia.

In this wordy Indian import, author/illustrator Uikey laments the loss of the interdependent relationship that tigers once enjoyed with the Gond tribe. They shared their forest home, he recounts, “and the tiger was like an elder, a worthy ancestor.” Along with his own childhood memories of tigers, he also shares six short stories about the tiger. These tales are set in rural India and are part of the folklore of the Gond. In a preface, Uikey mentions that he has penned these stories in the hope that they will be remembered by future generations. At the end, he brings the book back full circle by sharing how his small son, Chalit, experiences the tiger now and how city-dweller Chalit’s experiences are so different from Uikey’s as a child. It’s a heartfelt effort, but the writing style doesn’t seem geared toward children. Young readers will need a significant amount of explanation and context to completely understand Uikey’s perspective. The book also has much more text than is common in the United States for a picture book, gearing it toward older readers. Compensating for this, the book has strong visual appeal, with intricate die cuts on the front and back covers. The earthy-hued, ink-on-paper illustrations in Gond art are absolutely striking in their depictions of the tiger and Indian rural life.

A rare and distinctive perspective on the relationship between people and tigers, though with specialized appeal. (Picture book. 10-adult)

Pub Date: Sept. 11, 2018

ISBN: 978-93-83145-99-7

Page Count: 32

Publisher: Tara Publishing

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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PERCY JACKSON'S GREEK GODS

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.

Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.

Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)

Pub Date: Aug. 19, 2014

ISBN: 978-1-4231-8364-8

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: June 28, 2014

Kirkus Reviews Issue: July 15, 2014

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PERCY JACKSON'S GREEK HEROES

Tales that “lay out your options for painful and interesting ways to die.” And to live.

In a similarly hefty companion to Percy Jackson’s Greek Gods (2014), the most voluble of Poseidon’s many sons dishes on a dozen more ancient relatives and fellow demigods.

Riordan averts his young yarn spinner’s eyes from the sex but not the stupidity, violence, malice, or bad choices that drive so many of the old tales. He leavens full, refreshingly tart accounts of the ups and downs of such higher-profile heroes as Theseus, Orpheus, Hercules, and Jason with the lesser-known but often equally awesome exploits of such butt-kicking ladies as Atalanta, Otrera (the first Amazon), and lion-wrestling Cyrene. In thought-provoking contrast, Psyche comes off as no less heroic, even though her story is less about general slaughter than the tough “Iron Housewives quests” Aphrodite forces her to undertake to rescue her beloved Eros. Furthermore, along with snarky chapter heads (“Phaethon Fails Driver’s Ed”), the contemporary labor includes references to Jay-Z, Apple Maps, god-to-god texting, and the like—not to mention the way the narrator makes fun of hard-to-pronounce names and points up such character flaws as ADHD (Theseus) and anger management issues (Hercules). The breezy treatment effectively blows off at least some of the dust obscuring the timeless themes in each hero’s career. In Rocco’s melodramatically murky illustrations, men and women alike display rippling thews and plenty of skin as they battle ravening monsters.

Tales that “lay out your options for painful and interesting ways to die.” And to live. (maps, index) (Mythology. 10-14)

Pub Date: Aug. 18, 2015

ISBN: 978-1-4231-8365-5

Page Count: 416

Publisher: Disney-Hyperion

Review Posted Online: July 21, 2015

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