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LOVE OVER LATTES

From the Desert Monsoon series

A sexy and irresistible tale for fans of contemporary romance.

Awards & Accolades

Our Verdict

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Visits to a coffee shop lead to an unexpected romantic connection for two lonely strangers in this debut novel.

Driven and goal-oriented, single mother Valentina de Cordoba has big plans. As a college freshman, she became pregnant after a volatile relationship with the wrong man. Determined to provide a stable home for her son, Max, she finished college and accepted a job with a technology firm. That does not stop her from fantasizing about the handsome stranger who frequents her favorite coffee shop. Derek Cole is a businessman whose life is falling apart. He is in the middle of a contentious divorce, and his wife is demanding his company as part of the settlement. Cole notices Valentina at the coffee shop and looks forward to seeing her. When her deal on a rental home falls through, Cole impulsively offers to lease her a cottage on his property. A cautious Valentina accepts on the condition that their relationship will remain strictly business. For Cole, Valentina is a glimmer of hope, and he is determined to win her. They fall in love, but their relationship is tested when Cole faces a betrayal that threatens to destroy the company he worked so hard to build. Hicks’ first installment of her Desert Monsoon series is confident and assured, with strong storytelling, nuanced characters, and a dynamic blend of romance and suspense. The narrative is fast-paced, with the chapters alternating between the viewpoints of Valentina and Cole. This technique allows the author to explore their feelings and motivations and offer deeper insights into the story’s major events. Valentina and Cole are appealing protagonists whose rapport is bolstered by scenes that generate a nice erotic heat. The supporting characters are equally well-developed, including Nikki, a flirtatious event planner with questionable motivations, and Dom, Cole’s best friend and attorney. While the romance between Cole and Valentina takes center stage, his divorce battle with his estranged wife, Bridget, and his fight to retain control of his company provide suspense and surprise plot twists.

A sexy and irresistible tale for fans of contemporary romance.

Pub Date: Feb. 7, 2018

ISBN: 978-1-5092-1944-5

Page Count: 322

Publisher: The Wild Rose Press, Inc.

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: March 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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