The impressive plot earns this project a B, but the banal dialogue and wimpy heroine downgrade it to a C.




An intimate glimpse at an elite college’s secret clubs.

Amy Haskel, a harried literature student at Eli University (a thinly veiled Yale, the author’s alma mater) is concerned about her future. An Ivy League diploma no longer guarantees career success, and Amy can’t rely on influential parents to secure her prosperity. For Amy, landing a coveted editorial position upon graduation can only be achieved through Herculean efforts. She studies maniacally and uses her scant spare time to pad her résumé. Her latest achievement, nabbing the editor-in-chief spot at Eli’s literary magazine, leaves Amy feeling optimistic. She’s a shoo-in for Eli’s literary society, Quill & Ink. Soon Amy is whisked away to a clandestine location for a ritualistic initiation. To her surprise, she learns she hasn’t been tapped by the writer’s guild after all, but instead by Rose & Grave. For the first time in the group’s storied history, Rose & Grave has decided to tap, or initiate, women. Rose & Grave is Eli’s most exclusive club, whose members include U.S. presidents and captains of industry. The club’s trust fund hovers in the tens of millions. Amy is smitten with her fellow Rose & Grave initiates and the splendid perks of membership. But the party doesn’t last long. Infighting breaks out in the society and Amy has to prove herself worthy of her powerful new friendships. While the plot is a winner, Peterfreund’s writing is thin and the novel feels best suited for teens. The heroine comes off as insecure and out of her league—which would be charming if Amy would ever reveal some prowess as a leader and unleash her intellect. This is the first in a series; let us hope Peterfreund polishes her prose and educates her heroine before the next installment.

The impressive plot earns this project a B, but the banal dialogue and wimpy heroine downgrade it to a C.

Pub Date: July 18, 2006

ISBN: 0-385-34002-8

Page Count: 304

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2006

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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