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SPOOKED

A supernatural tale with a strong, engaging protagonist.

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In Rosengard’s new-adult debut novel, a college student searches for the person responsible for her best friend’s death—with a little help from a familiar ghost.

Nineteen-year-old Callie McCayter escapes a gloomy life in Houston by attending Astoria College in the Pacific Northwest. She’s rooming with childhood friend Izzy Miller, whose parents took Callie in when it became clear her alcoholic father, a cop, was abusing her. But tragedy strikes during the friends’ sophomore year: Izzy is killed by a car in a hit-and-run as she’s walking home from a party in the middle of the night. Callie’s resultant despair causes her to miss numerous classes, and she may lose her scholarships, as a result. Then, one day, she sees the ghost of Izzy in their room. Her late friend doesn’t speak but instead uses lipstick to write a message on a mirror: “HELP ME.” Callie becomes determined to solve the mystery of what happened the night of Izzy’s death; she not only wants to find out the identity of the unknown driver, but also who’s to blame for the fact that Izzy was walking alone on a dark road. This entails interrogating four students who showed up to the party with Izzy and who apparently didn’t care that she was uncharacteristically drunk. Meanwhile, Callie, who normally abstains from dating, becomes attracted to two very different guys—seemingly meek Colin Turner and 20-something campus security officer Jay Houghten, an ex-Marine. Soon, she starts to experience Izzy’s memories, and, as a result, she starts to uncover quite a few secrets. Rosengard thoroughly develops her paranormal mystery plot, but the heart of the tale is Callie’s growing fortitude. She’s initially despondent after Izzy dies, but she eventually becomes determined to pinpoint every important detail of that fateful night. As the story progresses, readers learn of Callie’s other strengths, including her training in self-defense, stemming from her experiences with her dad. Much of the narrative centers on the aforementioned romantic triangle; both of the young men are enticing but flawed, making Callie’s choice understandably difficult. But they also have ties to the greater mystery—and they may be withholding important information from Callie about the party. Izzy’s ghostly appearances are sporadic and cryptic enough that Callie is left to unravel the whodunit mostly on her own. However, Callie’s memory-visions of Izzy’s experiences add a startling element, as they reveal a less-than-pleasant side of her friend. In one memory, for example, Izzy is irate when her mother gives Callie special attention. The mystery contains a handful of other shocking twists, although many readers will likely see a few of them coming. However, the author’s grasp of Callie’s first-person voice is sensational: The teenager endlessly debates with herself and harps on her own shortcomings, such as her tendency to distance herself from potential friends and romantic interests. She does acknowledge and work on overcoming her weaknesses, though—and readers will definitely see her virtues even when she doesn’t.

A supernatural tale with a strong, engaging protagonist.

Pub Date: Sept. 1, 2018

ISBN: 978-1-5380-9012-1

Page Count: 510

Publisher: Horseshoes & Hand Grenades Publishing, LLC

Review Posted Online: Oct. 5, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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