Though a little on the somber side, a charming assortment of stories that give the species the respect it deserves.
An entertaining pack of canine-themed short stories ranging from the 19th century to the present day.
In assembling the 20 stories in this collection, editor Tesdell takes pains to avoid the hoariest doggie clichés—no Marley-ish melodrama or Lassie-like derring-do here. But even the most serious authors seem to employ dogs for a narrow range of literary purposes, usually as a way to amplify human foibles. In Jonathan Lethem’s “Ava’s Apartment” (an excerpt from his 2009 novel, Chronic City), a three-legged dog mirrors the emotional incompleteness of the story’s protagonist, a dissolute rock critic. P.G. Wodehouse’s hilarious “The Mixer” is narrated by a dog caught up in a hamfisted burglary scheme that’s upended by his sense of loyalty and generosity. And the dog walker in Lydia Millet's “Sir Henry” is befuddled by simple human interactions, so smitten is he with the moral purity of his charges. The dogs are rarely menacing—though stories from Patricia Highsmith and Ray Bradbury take gruesome turns—but in Tesdell’s hands, dogs and melancholy tend to be close companions. That’s most pronounced in Doris Lessing’s “The Story of Two Dogs,” in which the relationship between two farm dogs declines in relation to the affection they receive, and it’s also apparent in the dialogue a widower has with his companion in Tobias Wolff's “Her Dog,” and in the funereal hunting trip Thomas McGuane describes in “Flight.” This anthology isn’t a persistent downer, but the comic pieces are slightly less common: In addition to the Wodehouse tale, the collection includes a James Thurber classic, “Josephine Has Her Day,” a study in dog-owner loyalty, Anton Chekhov’s “Kashtanka,” in which a dog runs off with the circus, and best of all Mark Twain’s “A Dog’s Tale,” in which a dog’s feat of heroism reveals the foolishness of the pet's owners. Alas, the most recent of that batch of stories was published in the 1920s, suggesting that the funny dog story may simply be a thing of the past.
Though a little on the somber side, a charming assortment of stories that give the species the respect it deserves.Pub Date: Oct. 5, 2010
ISBN: 978-0-307-59397-9
Page Count: 400
Publisher: Everyman’s Library
Review Posted Online: Aug. 24, 2010
Kirkus Reviews Issue: Sept. 15, 2010
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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