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ANIMAL SENSE

Poet and naturalist Ackerman (The Night Crossing, 1994, etc.) examines the five senses by way of the animal kingdom. In “Hearing,” she talks first about the sounds of bats, which we cannot hear; then the sound of humpback whales; and lastly, of birds: “A bird does not sing because it has an answer. / It sings because it has a song.” For “Vision,” the way bees and owls, “binoculars with wings,” view the world plays against how we perceive swans and polar bears and blue jays, with a tiny lesson in how light makes color happen. “Taste” fascinates with a certain amount of ickiness, “Flies taste food with their feet. / If it’s good to dance in, it’s good to eat.” She finds all the myriad flavors of grass for a cow and the vicious daintiness of a leopard on the prowl. The rhymed verse is by turns giddy, extravagant, and thoughtful, and always unsentimental. Sís (Scranimals, p. 1042, etc.) opens each section with a kid’s round head, a labyrinth sketched where the seat of that sense is—at the mouth for taste, two labyrinth spirals for ears, etc. The poems have full-page images faced with text and a related vignette, Sís’s shimmering, calligraphic pointillism rendered in a single color, contrasts with the color of the sans-serif type font. Brown, black, blue, magenta, and green are used in saturated but subdued tones, and the whole makes quite a pretty piece of bookmaking. Good poetry, fine illustration, a bit of natural history gently rendered and more than occasionally funny—what child could ask for anything more than this exquisite little gem? (Poetry. 7-12)

Pub Date: Feb. 11, 2003

ISBN: 0-375-82384-0

Page Count: 40

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

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POCKET POEMS

With an eye toward easy memorization, Katz gathers over 50 short poems from the likes of Emily Dickinson, Valerie Worth, Jack Prelutsky, and Lewis Carroll, to such anonymous gems as “The Burp”—“Pardon me for being rude. / It was not me, it was my food. / It got so lonely down below, / it just popped up to say hello.” Katz includes five of her own verses, and promotes an evident newcomer, Emily George, with four entries. Hafner surrounds every selection with fine-lined cartoons, mostly of animals and children engaged in play, reading, or other familiar activities. Amid the ranks of similar collections, this shiny-faced newcomer may not stand out—but neither will it drift to the bottom of the class. (Picture book/poetry. 7-9)

Pub Date: March 1, 2004

ISBN: 0-525-47172-3

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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DINOSAURS GALORE!

A dozen familiar dinosaurs introduce themselves in verse in this uninspired, if colorful, new animal gallery from the authors of Commotion in the Ocean (2000). Smiling, usually toothily, and sporting an array of diamonds, lightning bolts, spikes and tiger stripes, the garishly colored dinosaurs make an eye-catching show, but their comments seldom measure up to their appearance: “I’m a swimming reptile, / I dive down in the sea. / And when I spot a yummy squid, / I eat it up with glee!” (“Ichthyosaurus”) Next to the likes of Kevin Crotty’s Dinosongs (2000), illustrated by Kurt Vargo, or Jack Prelutsky’s classic Tyrannosaurus Was A Beast (1988), illustrated by Arnold Lobel, there’s not much here to roar about. (Picture book/poetry. 7-9)

Pub Date: March 1, 2005

ISBN: 1-58925-044-3

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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