An invaluable therapeutic resource aimed at kids.
A debut guide for children with anxiety problems provides an animal tale and an interactive workbook.
This manual by two child psychiatrists—based on their therapeutic treatment program—has a straightforward design: eight chapters of “Leo the Lion’s Story of Bravery” and eight corresponding workbook sections. Leo is nervous about speaking to other animals because he fears that they will make fun of him. With the help of his mother, he uses stress-reducing techniques such as Spaghetti Arms and Toes (progressive muscle relaxation), Balloon Breathing (abdominal breathing), and Imagery. Then, in Bravery Club, he learns about his “Sneaky Fears,” portrayed as two snarling, smelly jackals. His teacher explains: “Your worst fears, these wild and scary beasts, need to be tamed.” In time, Leo exposes their tactics—telling falsehoods, exaggerating, and showing only bad things—and begins to think courageous thoughts instead. Soon he discovers that he can also employ a “Feeling Thermometer” to recognize and reduce negative emotions. In the final chapters, Leo and his new friend, Ellie the Elephant, practice what they’ve learned in order to overcome their fears. The workbook precisely matches the clever story and includes application activities like practicing stress-reducing methods, drawing “Sneaky Fears,” and deciding what steps to accomplish on the “Bravery Ladder.” There are also several invitations to draw “body scans” of how readers feel when experiencing different emotions. Benoit and Monga have done an excellent job of presenting evidence-based, anxiety-reducing techniques in a way that is both creative and comprehensible. They utilize simple language, adequate repetition, and memorable metaphors, making the guide’s message crystal clear to young children. The vivid and expressive digital drawings by Reyes (Story Bird Dance and the Snowbird Ballet, 2016, etc.) also aid the audience because they deftly illustrate the tale’s plot and emotions. The principles in these pages are universal for anyone battling anxiety, and the workbook allows readers to personalize the story and become “the boss” of their bodies and brains. Parents of children plagued by anxiety should be especially grateful for this volume because of the understanding, tools, and hope that it offers.
An invaluable therapeutic resource aimed at kids.Pub Date: June 7, 2018
ISBN: 978-1-5255-1882-9
Page Count: 96
Publisher: FriesenPress
Review Posted Online: Aug. 16, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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