Next book

THE NEW WILDERNESS

This ecological horror story (particularly horrifying now) explores painful regions of the human heart.

In a dystopian future, a woman and her daughter leave behind the increasingly unlivable conditions of the all-consuming City, where most of the population is trapped, to join a survival study in the Wilderness State.

As part of the study, Bea and Agnes have been members of the Community since it began when Agnes was a “frail, failing little girl.” The Community, originally 20 adults and children before various births and deaths, travels the wild as a ragtag pack, rife with typical internal politics. Members carry their few possessions on their backs and eat what they can forage and kill by hand or bow, leaving no human traces in their wake. They live according to the Manual, watched over from afar by the Rangers who make sure everyone follows the Manual’s rules. Bea misses aspects of her urban life, however difficult it was, but her powers of psychological observation make her “good at this survival thing.” Agnes, whose “health cratered” from breathing City air—the reason Bea joined the study—is now vitally healthy, with a natural instinct for primitive skills. As she tells the grown-ups, “follow the animals.” The viewpoint shifts over time from prickly, tormented Bea, whose romantic loyalties are unclear but whose motherly protectiveness is fiercely all-consuming, to Agnes, who grows up in a world where natural order trumps human-made rules. The push-pull of ambivalent but powerful love between mother and daughter centers the novel. Cook writes about desperate people in a world of ever shrinking livable space and increasingly questionable resources like air and water but also about the resilience of children who adapt, even enjoying circumstances that overwhelm the adults around them. Cook also raises uncomfortable questions: How far will a person go to survive, and what sacrifices will she or won’t she make for those she loves?

This ecological horror story (particularly horrifying now) explores painful regions of the human heart.

Pub Date: Aug. 11, 2020

ISBN: 978-0-06233-313-1

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 73


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

Next book

REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Awards & Accolades

Likes

  • Readers Vote
  • 73


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

Close Quickview