21 COUSINS

De Anda and Muñoz introduce 21 first cousins, each vastly different from the next.

The sibling narrators describe the family as “mestizo,” with a makeup of “the different people and cultures in Mexico: Indian, Spanish, French, and others. This is the reason people in our family look different in many ways. But we are still one family.” Readers meet fair-skinned Elena, dark-skinned Enrique, Teresa with “milk-chocolate skin,” and the rest, ranged along a wide, colorful spectrum. One has Down syndrome; another uses a wheelchair. Each cousin varies in interests, hobbies, talents, and ages as well. There is an aspiring Olympic runner, baseball players, a gymnast, a college student, a drummer, and a dancer. Readers who don’t pay attention to the title page may be surprised to discover the identities of the dual narrators, revealed to be grade schoolers Alejandro and Sofia at the end of the book. Muñoz’s clean illustrations present the cousins in settings that reflect their interests, but they do not interact until a final group portrait with Baby Cristina, the 22nd cousin. As is typical in many Latinx cultures, Spanish terms that describe cousins’ physical attributes—güera, morena, chata—are used as terms of endearment, familiarity, and identification. It must be noted that those terms today are occasionally met with some resistance, as they often point back to origins in colorism and racism.

Latinx readers with diverse families will appreciate seeing themselves within these pages.