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TRADING DREAMS AT MIDNIGHT

A vibrant, perfectly drawn setting and natural dialogue save an otherwise unremarkable story.

McKinney-Whetstone returns to familiar territory—the African-American community of West Philadelphia—in her latest novel (Blues Dancing, 1999, etc.).

This time out, a grandmother and granddaughter try to come to terms with the complicated woman who ties them together. Troubled Neena, who left home at 20 in search of her mentally ill mother, Freeda, returns to Philadelphia over a decade later desperate for help. She has been working as a blackmailer, having learned at a young age to use her charm and looks to her advantage, but things have gone awry. Neena hopes to seek refuge with her high-achieving sister, Tish, but soon learns that she is in the hospital due to a difficult pregnancy, clinging to her life. Standing between the two sisters is Nan, Neena’s estranged grandmother, who raised the girls after Freeda abandoned them when they were teenagers. Nan, a God-fearing dressmaker, has had her share of hardship—she spent much of her life caring for her alcoholic husband, Alfred, and clearly blames herself for both Freeda’s and Neena’s problems. When Neena returns, she and Nan have not spoken in many years, and Nan worries that Neena’s presence will upset Tish and harm her or the baby. With the links to her family severed, Neena flirts with the temptations of her old career when she is set up professionally with Cliff, a married aspiring politician. But as fragile Neena, in some of the novel’s most captivating passages, navigates memories of her difficult childhood, she also starts to realize that Cliff might be different, and that unlike Freeda, her life might actually still turn around. A final reunion scene that seems all too quick and easy, given the pages of struggle, also shows Neena how family, especially Nan, can still be a part of this new life.

A vibrant, perfectly drawn setting and natural dialogue save an otherwise unremarkable story.

Pub Date: June 24, 2008

ISBN: 978-0-688-16386-0

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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