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BY THE BOOK

STORIES AND PICTURES

An extremely clever and often graceful collection that rewards the curious reader but should not be approached with the...

A new collection by Schoemperlen (At a Loss for Words, 2008, etc.) offers stories that revel in unconventional forms and odd details, each one mining texts from the late 19th and early 20th centuries in an exploration of collage and fragmentation.

Only one piece in this strangely appealing collection, “By the Book Or: Alessandro in the New World,” engages with the traditional expectations of narrative. Alessandro, an ambitious young man of 25, journeys to the New World in search of a new life. He follows the guidance of a book that belonged to his great-great-great-grandfather, an annotated volume of vocabulary lists, sample letters and suggested dialogues called the Grammatica Accelerata. Fragments of this text appear throughout Alessandro’s story and seem to bend his new reality ever closer to a perfect fit for its recommended phrases. These fragments exist beyond the confines of the story, excerpted faithfully from an Italian-English handbook published for immigrants circa 1900. Schoemperlen builds her own story around the old words, focusing attention on how texts might shape life and our perception of it. This exploration continues in pieces that are less and less like traditional stories. “A Body Like a Little Nut” rearranges phrases from a botany textbook in alphabetical order, creating a sequence of images and sounds that works almost musically to encourage imaginative association. “Around the World in 100 Postcards” lists facts from a 1946 Canadian textbook on geography and reads like missives from a world made foreign by its existence in the past. While the stories are not all equally engaging and sometimes veer into confusing opacity, they provoke energetic consumption, urging the reader to make unusual connections with the personal baggage of their own imaginations. Collages, also created by Schoemperlen, illustrate each story.

An extremely clever and often graceful collection that rewards the curious reader but should not be approached with the expectation of traditional story.

Pub Date: Oct. 14, 2014

ISBN: 978-1-927428-81-8

Page Count: 352

Publisher: Biblioasis

Review Posted Online: Aug. 26, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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A PERMANENT MEMBER OF THE FAMILY

Old-fashioned short fiction: honest, probing and moving.

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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BEYOND THE GREAT SNOW MOUNTAINS

Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.

Pub Date: May 11, 1999

ISBN: 0-553-10963-4

Page Count: 288

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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