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IT'S A FIREFLY NIGHT

An intimate encounter with nature lit not just by stars and fireflies, but also an affecting dose of daddy-daughter warmth.

On a summer’s night, a child sails out into her yard to gather (and then release) lightning bugs.

Just like the stars that seem to wink and glimmer in Snyder’s moonlit, mist-streaked night skies, fireflies glow in the grass amid scattered trees and flowers. They smile in close-up views as the child, barefoot and nightgown-clad, gently gathers them into a big jar while her father looks on. Reflecting that “I love catching fireflies, / but they are not mine,” she cups each captive in her hand before “easy and slow, / I whisper good-bye, / then I let it go!” A spread of firefly facts caps the idyllic nighttime foray. Rough sparkly patches on the jacket add a tactile element that compensates, at least in part, for inner flaps that cover parts of the endpaper nightscapes. The bugs and brushwork resemble Eric Carle’s, but Snyder’s art works its own magic.

An intimate encounter with nature lit not just by stars and fireflies, but also an affecting dose of daddy-daughter warmth. (Picture book. 4-6)

Pub Date: May 14, 2013

ISBN: 978-1-60905-291-1

Page Count: 32

Publisher: Blue Apple

Review Posted Online: April 13, 2013

Kirkus Reviews Issue: May 1, 2013

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SKY COLOR

Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...

Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).

Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.

Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)

Pub Date: Aug. 28, 2012

ISBN: 978-0-7636-2345-6

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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MAX AND THE TAG-ALONG MOON

A quiet, warm look at the bond between grandfather and grandson.

After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.

This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.

A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)

Pub Date: June 13, 2013

ISBN: 978-0-399-23342-5

Page Count: 32

Publisher: Philomel

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: April 1, 2013

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