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MY WALK AMONG THE STARS

A candid but ultimately unsatisfying look at the day-to-day struggles of a working country musician.

A memoir of a country singer/songwriter’s nearly two-decade career.

After his return from the Korean War in 1954, Flood (Swampwise, 2017, as Okefenokee Joe) embarked on a country music career. He’d found his passion for the genre while in the service, singing and playing steel guitar at an Air Force base in the Philippines with a band called the Luzon Valley Boys. Back home, he teamed up with Army pal Billy Graves to audition for Connie B. Gay’s televised music program, Town and Country Jamboree. Following the advice of singer Jimmy Dean, the author and Graves formed a duo called the Country Lads, and went on to perform widely in the Washington, D.C., area and on Dean’s morning TV show. When the Country Lads parted ways, Flood moved to Nashville with his family to continue his music career. There, he faced the everyday challenges of a working musician. In 1959, Flood’s recording of “The Three Bells” sold well, and in the early 1960s, he was a regular guest on the Grand Ole Opry radio show. His song “Trouble’s Back in Town,” recorded by the Wilburn Brothers in 1962, was named the No. 1 country song of that year by Cashbox magazine. But these early successes didn’t translate to career longevity, and although Flood worked diligently as a touring musician, he eventually sought a life outside the industry, and “reinvented [himself] as ‘Okefenokee Joe,’ a singing, story telling, song writing self-proclaimed wildlife evangelist.” Overall, Flood offers unique insights into the life of a dedicated musician. This isn’t a story of fame and triumph, but of the difficulties of recording contracts, booking schedules, and picking the right projects at the right time. The story’s structure, however, is largely organized around the author’s encounters with famous country stars—ranging from Patsy Cline and Roy Clark to Willie Nelson and Waylon Jennings—which undercuts the substance of Flood’s narrative. His meetings with these celebrities will be of interest to country fans, but they’re often not interesting enough to merit pride of place, and the resulting scattered focus makes it difficult to chart the chronology of Flood’s career.

A candid but ultimately unsatisfying look at the day-to-day struggles of a working country musician.

Pub Date: Nov. 15, 2019

ISBN: 978-0-9973371-8-1

Page Count: 264

Publisher: Self

Review Posted Online: Feb. 11, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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