A little gem.
Delightful comic tale about a man who can’t convince anyone he’s who he says he is.
Recovered from a taxi accident that plunged him into a coma for three days, Martin Harris returns to his wife Liz. Entering the apartment they’re sharing in Paris, Harris encounters a man he has never seen who insists on being Martin Harris. Liz, his mate of ten years, also refuses to recognize the returning Martin, whose protestations become so intense the building super, who also doesn’t recognize Martin, ushers him from the premises. Author van Cauwelaert (the Prix Goncourt winner One-Way, not reviewed) thus starts with a premise that could serve a Hitchcock thriller, a Twilight Zone episode, or a heavy-going exercise in Existentialism. But van Cauwelaert nimbly sidesteps cliché and pretense, coming up with a series of sometimes dazzling scenes on the theme of identity. He speeds the hapless Martin through witty, touching, trenchant encounters with the hospital, the police, the woman driving the cab, and, a high point, a psychiatrist who offers Martin and the reader challenging but never heavy-handed theories about the powers of memory. Growing desperate for the most basic validation, Martin sets a private eye to spying on Martin’s neighbors for a shred of evidence that will prove he’s the real Martin. After checking birth, work, and marriage records, the p.i. tells Martin: “You don’t exist.” Martin’s hope now turns to the cab driver from the accident, Muriel Carderet, who comes to believe Martin is the genuine item. Indeed, as their relationship deepens, Martin wonders whether he might after all prefer being this new Martin. Then Carderet locates one of Martin’s former co-workers, who says he can vouch for Martin’s identity. The co-worker does unlock the puzzle, but not in a way one may expect. The swift final scene—a breathtaking jeté—should surprise even the most jaded fan of thrillers.
A little gem.Pub Date: Dec. 7, 2004
ISBN: 1-59051-085-2
Page Count: 168
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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