Pretty, but target-audience readers expecting much in the way of plot or character development get the shaft.
Prosaic writing and herky-jerky visual transitions mar the “story” part of this movie storybook, but the tale’s only a platform for a generous array of puzzles and other distractions anyway.
Backed by plaintive Hibernian music, a thickly accented narrator sketchily recaps the struggle between warlike young princess Merida and her prim royal mother, from the archery contest with prospective suitors and the spell that temporarily turns the queen into a bear (just in time for a climactic battle with a similarly cursed ursine) to the closing reconciliation. The text is nothing but pedestrian: “The next morning, Merida showed her mother how to catch fish in a stream. For the first time in a while, they had fun together.” The text panels slide in and out of view as scenes created in the film’s lushly detailed, 3-D style pan, zoom or shift angles. Only rarely do these changes occur smoothly enough to emulate video convincingly, however, and taps rarely activate more action than a small gesture or low-volume background sounds. The app offers options for self-recording and a frustratingly ponderous autoplay—along with, more temptingly, a multilevel shooting game, six coloring pages and six jigsaw puzzles accessible through scattered links or a “Play” icon on the title screen.
Pretty, but target-audience readers expecting much in the way of plot or character development get the shaft. (iPad movie storybook app. 6-8)Pub Date: June 14, 2012
ISBN: N/A
Page Count: -
Publisher: Disney Publishing Worldwide Applications
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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