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FRANKENWEENIE

More a commercial-minded keepsake than a movie storybook, with barely a mention of either plotline or filmmaking techniques.

An elaborate teaser for the stop-motion feature film offers slide shows, video clips and opportunities aplenty for additional purchases.

The enhanced e-book is composed of stills, developmental “sketch to screen” slide shows, snippets of video and bite-sized passages of bland descriptive text. Successive chapters offer introductions to Tim Burton’s work (including the early short film that inspired this feature version), the new release’s suburban setting, a traveling exhibition of props and its cast. This last ranges from nerdy young Victor and his classmates to the beloved dog he revivifies, a mummy hamster and other featured creatures. The several further “chapters” are thinly disguised links to movie-ticket vendors and more print and music spinoffs. An interactive collage maker at the beginning is crudely designed, and later 3-D views of selected characters are slow to turn and heavily pixelated. Still, page swipes and tap-activated close-ups work smoothly, as do the native dictionary and search features. Moreover, the plethora of visual material does provide a clear sense of the film’s stylized look and appeal, plus glimpses of how stop-motion puppets are constructed and convincingly photographed.

More a commercial-minded keepsake than a movie storybook, with barely a mention of either plotline or filmmaking techniques. (Enhanced e-book. 6-9)

Pub Date: Sept. 28, 2012

ISBN: N/A

Page Count: -

Publisher: Disney Publishing Worldwide Applications

Review Posted Online: Oct. 23, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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