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ALEX VEGA AND THE ORACLE OF THE MAYANS

A clever series opener that draws from the myths and pantheons of numerous ancient cultures.

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This debut middle-grade adventure sees a group of kids train to prevent an alien invasion of Earth.

One night, the diminutive, pointy-eared Carl Bellon pops up from a seemingly unspectacular hole in an empty lot. He teams up with a German shepherd named Mercure to visit the home of 13-year-old Alex Vega. The dog telepathically alerts the teen’s family members, including Alex’s parents, Miguel and Janet, and sister, Aura, to imminent danger. They escape as four green spheres float toward the house and set it ablaze. While running to the hole in the lot, Miguel and Janet use a polished black tablet called a Z-Con (or Zero Point Field Condenser) to defend against the spheres. The hole, it turns out, is a portal that leads to a carved-out facility inside the Himalayan Mountains. There, Alex learns of the Praefectus, who possess advanced alien technology and have been training for generations to defend Earth against intergalactic invaders. He also meets more children—Maia, Elka, and Dion—with whom he’ll train, and the Masters Kattan and Ebo. The Masters guide the young apprentices through various portals to their new home at the Jade pyramid, a section of the Earth Defense Operations School. In this novel, D.J. Burchell and M.A. Burchell combine touches of the Harry Potter and Indiana Jones series to introduce an epic saga that includes the origins of gods like Zeus and Ra. The brother-and-sister team maintains a tight narrative flow, unveiling the wonders of the Z-Con technology through the kids’ eyes. Less savvy authors might infodump story elements, but the Burchells refuse. Mercure says to Alex, “Some things you should discover for yourself. More exciting that way, isn’t it?” Indeed, ice cream that tastes like a high dive into the ocean and Gravity-Energy Manipulator suits that confer near invincibility are wondrously detailed. With Z-Cons standing in for wands, the children solve a minimystery while learning to fly planes and sail, skills potentially needed for later missions. The authors lay down an exceptional foundation of characters and worldbuilding for more dangerous escapades to come.

A clever series opener that draws from the myths and pantheons of numerous ancient cultures.

Pub Date: Aug. 26, 2017

ISBN: 978-1-941952-10-8

Page Count: 370

Publisher: South Bay Publishing

Review Posted Online: Feb. 9, 2018

Kirkus Reviews Issue: April 15, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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