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The Outcasts of Eden

An impassioned and enjoyable, though sometimes choppy, novel of activism, conscience, and family, propelled by a message...

An environmentalist deals with family conflict and moral dilemmas when she takes over a firm dedicated to representing polluters.

Presson (The Broker, 2015) opens this novel with the reading of Robert Reed’s will, which leaves his public relations firm, built to advocate for logging operations and oil companies, to his environmental activist daughter, Roberta. Flashbacks reveal the company’s founding in the 1960s and Roberta’s evolution as an environmentalist, culminating in her chaining herself to a tree about to be cut down by one of her father’s clients. The narrative returns to the mid-’90s as Roberta, though reluctant, settles into her role as CEO; contends with her manipulative cousin David, who had hoped to inherit the job himself; and works to reconcile her ideals with the firm’s history. The conflict between environmentalism and pragmatism comes to a head following a massive oil spill. Roberta travels to the site of the disaster in a road trip that echoes a similar drive that transformed her life a decade earlier, and she tries to find the strength to follow her conscience. Will she triumph professionally and deal with unresolved personal conflicts as well? An appendix provides further information on the ecological topics addressed in the novel as well as an extensive timeline of the environmental movement. While Roberta is the book’s central character, the supporting cast provides an intricate and well-developed backdrop that keeps the story from becoming overpowered by its message-driven plot. Presson expertly establishes the book’s ’90s setting, from reminders that recycling bins were once uncommon on street corners to cameo appearances by political figures of the day, like Angela Merkel’s turn as a minor government bureaucrat. The volume’s structure is less polished, with many abrupt chapter transitions, overly long asides exploring the history of characters and events, and scenes featuring a Buddhist monk that open each section of the work, providing a spiritual foundation that does not integrate thoroughly with the rest of the tale.

An impassioned and enjoyable, though sometimes choppy, novel of activism, conscience, and family, propelled by a message without becoming overwhelmed by it.

Pub Date: July 1, 2016

ISBN: 978-0-692-71559-8

Page Count: 318

Publisher: Kwill and Keebord Publishing

Review Posted Online: Aug. 17, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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