An impassioned and enjoyable, though sometimes choppy, novel of activism, conscience, and family, propelled by a message...
An environmentalist deals with family conflict and moral dilemmas when she takes over a firm dedicated to representing polluters.
Presson (The Broker, 2015) opens this novel with the reading of Robert Reed’s will, which leaves his public relations firm, built to advocate for logging operations and oil companies, to his environmental activist daughter, Roberta. Flashbacks reveal the company’s founding in the 1960s and Roberta’s evolution as an environmentalist, culminating in her chaining herself to a tree about to be cut down by one of her father’s clients. The narrative returns to the mid-’90s as Roberta, though reluctant, settles into her role as CEO; contends with her manipulative cousin David, who had hoped to inherit the job himself; and works to reconcile her ideals with the firm’s history. The conflict between environmentalism and pragmatism comes to a head following a massive oil spill. Roberta travels to the site of the disaster in a road trip that echoes a similar drive that transformed her life a decade earlier, and she tries to find the strength to follow her conscience. Will she triumph professionally and deal with unresolved personal conflicts as well? An appendix provides further information on the ecological topics addressed in the novel as well as an extensive timeline of the environmental movement. While Roberta is the book’s central character, the supporting cast provides an intricate and well-developed backdrop that keeps the story from becoming overpowered by its message-driven plot. Presson expertly establishes the book’s ’90s setting, from reminders that recycling bins were once uncommon on street corners to cameo appearances by political figures of the day, like Angela Merkel’s turn as a minor government bureaucrat. The volume’s structure is less polished, with many abrupt chapter transitions, overly long asides exploring the history of characters and events, and scenes featuring a Buddhist monk that open each section of the work, providing a spiritual foundation that does not integrate thoroughly with the rest of the tale.
An impassioned and enjoyable, though sometimes choppy, novel of activism, conscience, and family, propelled by a message without becoming overwhelmed by it.Pub Date: July 1, 2016
ISBN: 978-0-692-71559-8
Page Count: 318
Publisher: Kwill and Keebord Publishing
Review Posted Online: Aug. 17, 2016
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
