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THE CEMETERY OF CHUA VILLAGE

AND OTHER STORIES

The moral of these excellent tales: Never underestimate your small-town neighbor/bedfellow.

Ten Gogol-like tales about provincial scheming, in a first English translation for Vietnamese writer, actress, director and painter Doan Le.

Many of these picaresque stories are set in a rural area called Chua Village, a microcosm for Vietnamese society that’s rife with class and sex oppression, feudal backwardness and government corruption. In the first, title, story, the ghosts of the local cemetery all look forward to the initiation ceremony of a new arrival—the well-decorated brigadier general in the glass coffin—except that the figure who emerges is an electrician, third class retired, whose body was switched for the great man at the mortuary because of a failure to have greased the attending guard’s palm with the customary “gratuity.” “The Real Estate of Chua Village” is a satiric look at a weasely resident who attempts to sell the village pond, setting off a real-estate fever among the clannish residents who try to outdo each other in get-rich-quick schemes. In “The Venus of Chua Village,” a none-too-successful painter of The Twenty Springtimes of Woman accepts the modeling services of a beautiful young village girl sold off by her brother to pay his gambling debts. Her sacrifice deeply touches the painter, and he never parts with the painting until years later, when it’s stolen by the model’s daughter to redress her mother’s martyrdom. Occasionally, Doan Le slips into Kafkaesque allegory, as in “Achieving Flyhood,” about an aging, divorced acrobat who petitions the housing authorities for an apartment but is transformed into a fly—a gay fly, at that—and so is happily rid of the problem of housing (and women) for good. Elsewhere, stories achieve a personal, poignant tone, as in “The Double Bed of Chua Village,” about the narrator wife in bed with her sleeping husband as she resolves, clear-eyed but sorrowfully, to leave her mate of 28 years before he leaves her.

The moral of these excellent tales: Never underestimate your small-town neighbor/bedfellow.

Pub Date: Feb. 1, 2005

ISBN: 1-931896-12-7

Page Count: 192

Publisher: Curbstone Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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